American author (born 1938)
Joyce Carol Oates (born June 16, 1938) is an American author who has published 58 novels, plays and novellas, as well as volumes of short stories, poetry, and nonfiction. Oates taught at Princeton University from 1978 to 2014 and is the Roger S. Berlind '52 Professor Emerita in the Humanities with the Program in Creative Writing. She is a visiting professor at the University of California, Berkeley where she teaches short fiction.
From: Wikiquote (CC BY-SA 4.0)
From Wikidata (CC0)
Advanced Search Filters
Filter search results by source, date, and more with our premium search tools.
The act of sending a letter is an act of generosity, even if, in retrospect, it might seem reckless. Why regret one's generosity? Why regret one's impulsiveness, one's misjudgment of others? The inevitable discovery that someone is selling letters you'd written in trust is simply to discover an obvious human truth: there are those who don't cherish us as we'd cherished them, and had wished to be cherished by them.
If I’m required to identify myself on a form, I write “teacher.” I’ve been a teacher almost as long as I’ve been writing. [Pause.] I think of myself less as a writer than as a person who writes — or tries to. Each morning is a kind of obstacle course in which the obstacles seem to have all the advantage.
Unlimited Quote Collections
Organize your favorite quotes without limits. Create themed collections for every occasion with Premium.
Close up she saw that Molina's eyes were beautiful and dark thik eye lashed the way Lisette's mother tried to make hers with a mascara brush. The skin beneath Molina's eyes were soft and bruised looking and on her throat were tiny dark moles. It did not seem right that a woman like Molina, who you could tell was a mother-her body was a mother's body for sure, wide hips-could be a cop;it did not seem right that this person was carrying a gun, in a holster attached to leather belt, and that she could use it, if she wanted to.
I think that art is the commemoration of life in its variety. The novel, for instance, is “historic” in its embodiment in a specific place and time and its suggestion that there is meaning to our actions. Without the stillness, thoughtfulness and depths of art, and without the ceaseless moral rigors of art, we would have no shared culture — no collective memory. As it is, in contemporary societies, where so much concentration is focused on social media, insatiable in its myriad, fleeting interests, the “stillness and thoughtfulness” of a more permanent art feels threatened.