American poet, essayist, playwright, feminist, bisexual activist
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Our earth is round, and, among other things, that means that you and I can hold completely different points of view and both be right. The difference of our positions will show stars in your window I cannot even imagine. Your sky may burn with light, while mine, at the same moment, spreads beautiful to darkness. Still we must choose how we separately corner the circling universe of our experience. Once chosen, our cornering will determine the message of any star and darkness we encounter.
1. “The People” shall not be defined as a group excluding or derogating anyone on the basis of race, ethnicity, language, sexual preference, class, or age. 2. “The People” shall consciously undertake to respect and to encourage each other to feel safe enough to attempt the building of a community of trust in which all may try to be truthful and deeply serious in the messages they craft for the world to contemplate. 3. Poetry for the People rests upon a belief that the art of telling the truth is a necessary and a healthy way to create powerful, and positive, connections among people who, otherwise, remain (unknown and unaware) strangers. The goal is not to kill connections but, rather, to create and to deepen them among truly different men and women.
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Most of the women of the world-Black and First World and white who work because we must-most of the women of the world persist far from the heart of the usual Women's Studies syllabus. Similarly, the typical Black History course will slide by the majority experience it pretends to represent. For example, Mary McLeod Bethune will scarcely receive as much attention as Nat Turner, even though Black women who bravely and efficiently provided for the education of Black people hugely outnumber those few Black men who led successful or doomed rebellions against slavery. In fact, Mary McLeod Bethune may not receive even honorable mention because Black History too often apes those ridiculous white history courses which produce such dangerous gibberish as The Sheraton British Colonial "history" of the Bahamas. Both Black and white history courses exclude from their central consideration those people who neither killed nor conquered anyone as the means to new identity, those people who took care of every one of the people who wanted to become "a person," those people who still take care of the life at issue: the ones who wash and who feed and who teach and who diligently decorate straw hats and bags with all of their historically unrequired gentle love: the women.
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My life seems to be an increasing revelation of the intimate face of universal struggle. You begin with your family and the kids on the block, and next you open your eyes to what you call your people and that leads you into land reform into Black English into Angola leads you back into your own bed where you lie by yourself, wondering if you deserve to be peaceful, or trusted or desired or left to the freedom of your own unfaltering heart. And the scale shrinks to the size of a skull: your own interior cage.
Most Americans have imagined that problems affecting Black life follow from pathogenic attributes of Black people and not from malfunctions of the state. Most Americans have sought to identify themselves with the powerful interests that oppress poor and minority peoples, perhaps hoping to keep themselves on the shooting side of the target range.
Because it was raining outside the palace
Because there was no rain in her vicinity
Because people kept asking her questions
Because nobody ever asked her anything
Because marriage robbed her of her mother
Because she lost her daughters to the same tradition
Because her son laughed when she opened her mouth
Because he never delighted in anything she said
Because romance carried the rose inside a fist
Because she hungered for the fragrance of the rose
Because the jewels of her life did not belong to her
Because the glow of gold and silk disguised her soul
Because nothing she could say could change the melted music of her space
Because the privilege of her misery was something she could not disgrace
Because no one could imagine reasons for her grief
Because her grief required no magination
Because it was raining outside the alace
Because there was no rain in her vicinity.