Because it was raining outside the palace
Because there was no rain in her vicinity
Because people kept asking her questions
Because nobody ever asked her anything
Because marriage robbed her of her mother
Because she lost her daughters to the same tradition
Because her son laughed when she opened her mouth
Because he never delighted in anything she said
Because romance carried the rose inside a fist
Because she hungered for the fragrance of the rose
Because the jewels of her life did not belong to her
Because the glow of gold and silk disguised her soul
Because nothing she could say could change the melted music of her space
Because the privilege of her misery was something she could not disgrace
Because no one could imagine reasons for her grief
Because her grief required no magination
Because it was raining outside the alace
Because there was no rain in her vicinity.
American poet, essayist, playwright, feminist, bisexual activist
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If you can finally go to the bathroom wherever you find one, if you can finally order a cup of coffee and drink it wherever coffee is available, but you cannot follow your heart-you cannot respect the response of your own honest body in the world-then how much of what kind of freedom does any one of us possess?
Or, conversely, if your heart and your honest body can be controlled by the state, or controlled by community taboo, are you not then, and in that case, no more than a slave ruled by outside force?
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We, we know the individuality that isolates the man from other men, the either/or, the lonely-one that leads the flesh to clothing, jewelry, and land, the solitude of sight that separates the people from the people, flesh from flesh, that jams material between the spirit and the spirit. We have suffered witness to these pitiful, and murdering, masquerade extensions of the self. Instead, we choose a real, a living enlargement of our only life. We choose community.
1. “The People” shall not be defined as a group excluding or derogating anyone on the basis of race, ethnicity, language, sexual preference, class, or age. 2. “The People” shall consciously undertake to respect and to encourage each other to feel safe enough to attempt the building of a community of trust in which all may try to be truthful and deeply serious in the messages they craft for the world to contemplate. 3. Poetry for the People rests upon a belief that the art of telling the truth is a necessary and a healthy way to create powerful, and positive, connections among people who, otherwise, remain (unknown and unaware) strangers. The goal is not to kill connections but, rather, to create and to deepen them among truly different men and women.