Karl Ove Knausgård Quotes

For humans are merely one form among many, which the world produces over and over again, not only in everything that lives but also in everything that does not live, drawn in sand, stone, and water. And death, which I have always regarded as the greatest dimension of life, dark, compelling, was no more than a pipe that springs a leak, a branch that cracks in the wind, a jacket that slips off a clothes hanger and falls to the floor.

Strong themes and styles have to be broken down before literature can come into being. It is this breaking down that is called “writing.” Writing is more about destroying than creating.

Only what slips through one's fingers, only what is never expressed in words, has no thoughts, exists completely. That is the price of proximity: you don't see it. Don't know that it's there. Then it is over, then you see it.

The yellow-red leaves lying wet and smooth on the flagstones between the houses. How the stone darkens when it rains, lightens as it dries.

It is not the case that we are born equal and that the conditions of life make our lives unequal, it is the opposite, we are born unequal, and the conditions of life make our lives more equal.

And art has come to be a spectator of itself, the way it reacts, what newspapers write about it; the artist is a performer. That is how it is. Art does not know a beyond, science does not know a beyond, religion does not know a beyond, not anymore. Our world is enclosed around itself, enclosed around us, and there is no way out of it.

The music was linked with almost everything I had done, none of the records came without a memory. Everything that had happened in the last five years rose like steam from a cup when I played a record, not in the form of thoughts or reasoning, but as moods, openings, space. Some general, others specific. If my memories were stacked in a heap on the back of my life’s trailer, music was the rope that held them together and kept it, my life, in position.

The only thing I have learned from life is to endure it, never to question it, and to burn up the longing generated by this in writing.

that is what you do when you breathe, you trespass, again and again you trespass on the world.

Indifference is one of the seven deadly sins, actually the greatest
of them all, because it is the only one that sins against life.

"Writing is more about destroying than creating" (195).

Modernist literature with all its vast apparatus was an instrument, a form of perception, and once absorbed, the insights it brought could be rejected without its essence being lost, even the form endured, and it could be applied to your own life, your own fascinations, which could then suddenly appear in a new and significant light. Espen took that path, and I followed him like a brainless puppy, it was true, but I did follow him. I leafed through Adorno, read some passages of Benjamin, sat bowed over Blanchot for a few days, had a look at Derrida and Foucault, had a go at Kristeva, Lacan, Deleuze, while poems by Ekelöf, Björling, Pound, Mallarmé, Rilke, Trakl, Ashbery, Mandelstam, Lunden, Thomsen, and Hauge floated around, on which I spent more than a few minutes, I read them as prose, like a book by MacLean or Bagley, and learned nothing, understood nothing, but just having contact with them, having their books in the bookcase, led to a shifting of consciousness, just knowing they existed was an enrichment, and if they didn't furnish me with insights I became all the richer for intuitions and feelings.

This state lasted for six months, for six months I was truly happy, truly at home in this world and in myself before slowly it began to lose its luster, and once more the world moved out of my reach.

Only what slips through one's fingers, only what is never expressed in words, has no thoughts, exists completely. That is the price of proximity: you don't see it. Don't know that it's there. Then it is over, then you see it.

Sensitivity and strength of will are not a simple combination.

This is not a loss, at any rate not for me, I don't get anything out of socializing anyway. I never say what I really think, what I really mean, but always more or less agree with whomever I am talking to at the time, pretend that what they say is of interest to me, except when I am drinking, in which case more often than not I go too far the other way, and wake up to the fear of having overstepped the mark. This has become more pronounced over the years and can last now for weeks. When I drink I also have blackouts and completely lose control of my actions, which are generally desperate and stupid, but also on occasion desperate and dangerous. That is why I no longer drink. I do not want anyone to get close to me, I do not want anyone to see me, and this is the way things have developed: no one gets close and no one sees me. This is what must have engraved itself in my face, this is what must have made it so stiff and masklike and almost impossible to associate with myself whenever I happen to catch a glimpse of it in a shop window.