Swiss-French architect, designer, urbanist, and writer (1886–1965)
Charles-Édouard Jeanneret (October 6, 1887 – August 27, 1965), better known as Le Corbusier, was a Swiss-born French architect, designer, urbanist, writer, and one of the pioneers of what is now called modern architecture.
From: Wikiquote (CC BY-SA 4.0)
Alternative Names:
Charles-Édouard Jeanneret
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Charles-Edouard Jeanneret
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Charles Édouard Jeanneret-Gris
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Corbu
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Charles Édouard Jeanneret
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Édouard Le Corbusier
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Corb
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Charles Edouard Jenneret
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Charles Edouard Jeanneret-Gris
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Kebiyi
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Charles Edouard Jeanneret
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Charles Edouard Jeanneret- Gris
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Le Corbusier Jeanneret
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Charles-Edouard Jeanneret-Gris
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Corbusier
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Le Korbi︠u︡zʹe
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Le Corbusier-Saugnier
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Charles Jeanneret
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Corbusier Le
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Le Corbusier (Charles-Édouard Jeanneret)
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Edouard Jeanneret
From Wikidata (CC0)
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
Arhitectura are un alt sens și alte scopuri decât doar de a scoate în evidență construcția și de a răspunde unor necesități. Arhitectura este arta prin excelență, care atinge starea de măreție platoniciană, de ordine matematică, de speculație spirituală, de percepere a armoniei prin raporturi emoționale. Iată scopul arhitecturii.
The primordial instinct of every human being is to assure himself of a shelter. The various classes of workers in society to-day no long have dwellings adapted to their needs; neither the artizan nor the intellectual.
It is a question of building which is at the root of the social unrest of to-day: architecture or revolution.
When the cathedrals were white, spirit was triumphant. But today the cathedrals of France are black and the spirit is bruised. The works of the new civilization are coming together in a symphonic crescendo. The guiding spirit is faltering. The young act, but they do not know. The old cling to their accumulated treasures, but are unable to accomplish anything further.
…the skyscrapers of God dominated the countryside. They had made them as high as possible, extraordinarily high. It may seem a disproportion in the ensemble. Not at all, it was an act of optimism, a gesture of courage, a sign of pride, a proof of mastery! In addressing themselves to God, men did not sign their own abdication.
L'architecture arabe nous donne un enseignement précieux. Elle s'apprécie à la marche, avec le pied : c'est en marchant, en se déplaçant que l'on voit se développer les ordonnances de l'architecture. C'est un principe contraire à l'architecture baroque qui est conçue sur le papier, autour d'un point fixe théorique. Je préfère l'enseignement de l'architecture arabe. Dans cette maison ci, il s'agit d'une véritable promenade architecturale, offrant des aspects constamment variés, inattendus, parfois étonnants.