Leonardo da Vinci Quotes

Verrà il tempo in cui l’uomo non dovrà più uccidere per mangiare, ed anche l’uccisione di un solo animale sarà considerato un grave delitto

There is no certainty in sciences where one of the mathematical sciences cannot be applied, or which are not in relation with these mathematics.

LEARNING NEVER EXHAUSTS THE MIND

There will be many which will increase in their destruction.

Science, knowledge of the things that are possible present and past; prescience, knowledge of the things which may come to pass.

If the painter wishes to see beauties that charm him, it lies in his power to create them, and if he wishes to see monstrosities that are frightful, ridiculous, or truly pitiable, he is lord and God thereof.

First, of things relating to animals; secondly, of irrational creatures; thirdly of plants; fourthly, of ceremonies; fifthly, of manners; sixthly, of cases or edicts or quarrels; seventhly, of cases that are impossible in nature [paradoxes], as, for instance, of those things which, the more is taken from them, the more they grow. And reserve the great matters till the end, and the small matters give at the beginning.

There will come a time when men look upon the murder of animals as they now look upon the murder of men.

A luminous body will appear more brilliant in proportion as it is surrounded by deeper shadow.

Simplicity is the ultimate sophistication

The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.

I awoke, only to see that the rest of the world is still asleep.

Ask counsel of him who rules himself well.

He who truly knows has no occasion to shout.

The Italian Renaissance was reflected in him as rarely a period has been expressed in the life-work of a single man. He represented its union of practice and theory, of thought placed in the service of action. He summed up its different aspects in his own individuality. Intellectually, he represented its many-sidedness attained through penetration of thought, and a keenness of observation, profiting from experience, extended into every sphere. As an artist he possessed a vigour of imagination from which sprang his power of creating beauty. But, in spite of his practical nature, he remained a dreamer in an age which had in it more of stern reality than of golden dreams. His very limitations, his excess of individualism, his want of long-continued concentration, his lack of patriotism, his feeling of the superiority of art to nationality, are all characteristic of Renaissance Italy.