writer from the United States
Louise Erdrich (born Karen Louise Erdrich June 7, 1964) is an American author, novelist, poet, and children's author who features Native American themes in her writings. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians, a federally recognized tribe of Ojibwe people.
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How come we've got these bodies? They are frail supports for what we feel. There are times I get so hemmed in by my arms and legs I look forward to getting past them. As though death will set me free like a traveling cloud... I'll be out there as a piece of the endless body of the world feeling pleasures so much larger than skin and bones and blood.
Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about — love. But they allowed me this one clear look at it. It blazed from them. And then they left.
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The music was more than music- at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we'd lived through and didn't want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprisingly pleasures. No, we can't live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it.
She had always been a reader… but now she was obsessed. Since her discovery of the book hoard downstairs from her job, she’d been caught up in one such collection of people and their doings after the next…The pleasure of this sort of life – bookish, she supposed it might be called, a reading life – had made her isolation into a rich and even subversive thing. She inhabited one consoling or horrifying persona after another…That she was childless and husbandless and poor meant less once she picked up a book. Her mistakes disappeared into it. She lived with an invented force.
The only answer to this, and it isn't an entire answer, said Father Travis, is that God made human beings free agents. We are able to choose good over evil, but the opposite too. And in order to protect our human freedom, God doesn't often, very often at least, intervene. God can't do that without taking away our moral freedom. Do you see?
No. But yeah.
The only thing that God can do, and does all of the time, is to draw good from any evil situation.
So many things in the world have happened before. But it's like they never did. Every new thing that happens to a person, it's a first... In that night I felt expansion, as if the world was branching out in shoots and growing faster than the eye could see. I felt smallness, how the earth divided into bits and kept dividing. I felt stars.