Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow. Rendered and forged and sometimes polished. Irene Finney had taken her daughter’s death and to that sorrow she’d added a long life of entitlement and disappointment, of privilege and pride. And the dagger she’d fashioned was taking a brief break from slashing her insides, and was now pointed outward.

The leaves had fallen from the trees and lay crisp and crackling beneath his feet. Picking one up he marveled, not for the first time, at the perfection of nature where leaves were most beautiful at the very end of their lives.

What I was going to say is that my mentor had this theory that our lives are like an aboriginal longhouse. Just one huge room.” He swept one arm out to illustrate scope. “He said that if we thought we could compartmentalize things, we were deluding ourselves. Everyone we meet, every word we speak, every action taken or not taken lives in our longhouse. With us. Always. Never to be expelled or locked away.

Life is choice. All day, everyday. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It's as simple and as complex as that. And as powerful. so when I'm observing that's what I'm watching for. The choices people make