There was no mistaking, even in the uncertain light, the hand, half crabbed, half generous, and wholly drunken, of the Consul himself, the Greek e’s, the flying buttresses of d’s, the t’s like lonely wayside crosses save where they crucified an entire word.

He had peered out at the garden, and it was as though bits of his eyelids had broken off and were flittering and jittering before him, turning into nervous shapes and shadows, jumping to the guilty chattering in his mind, not quite voices yet, but they were coming back, they were coming back; a picture of his soul as a town appeared once more before him, but this time a town ravaged and stricken in the black path of his excess and shutting his burning eyes he had thought of the beautiful functioning of the system in those who were truly alive, switches connected, nerves rigid only in real danger, and in nightmareless sleep now calm, not resting, yet poised: a peaceful village.

Yes, I do love you, I have all the love in the world left for you, only that love seems so far away from me and so strange too, for it is as though I could almost hear it, a droning or weeping, but far, far away, and a sad lost sound, it might be either approaching or receding, I can’t tell which.

Suddenly he saw them, the bottles of aguardiente, of anís, of jerez, of Highland Queen, the glasses, a babel of glasses—towering, like the smoke from the train that day—built to the sky, then falling, the glasses toppling and crashing, falling downhill from the Generalife Gardens, the bottles breaking, bottles of Oporto, tinto, blanco, bottles of Pernod, Oxygènée, absinthe, bottles smashing, bottles cast aside, falling with a thud on the ground in parks, under benches, beds, cinema seats, hidden in drawers at Consulates, bottles of Calvados dropped and broken, or bursting into smithereens, tossed into garbage heaps, flung into the sea, the Mediterranean, the Caspian, the Caribbean, bottles floating in the ocean, dead Scotchmen on the Atlantic highlands—and now he saw them, smelt them, all, from the very beginning—bottles, bottles, bottles, and glasses, glasses, glasses, of bitter, of Dubonnet, of Falstaff, Rye, Johnny Walker, Vieux Whiskey blanc Canadien, the apéritifs, the digestifs, the demis, the dobles, the noch ein Herr Obers, the et glas Araks, the tusen taks, the bottles, the bottles, the beautiful bottles of tequila, and the gourds, gourds, gourds, the millions of gourds of beautiful mescal . . .

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The howling pariah dogs, the cocks that herald dawn all night, the drumming, the moaning that will be found later white plumage huddled on telegraph wires in back gardens or fowl roosting in apple trees, the eternal sorrow that never sleeps of great Mexico.

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There was no callousness in their faces, no cruelty. Death they knew, better than the law, and their memories were long. They sat ranked now, motionless, frozen, discussing nothing, without a word, turned to stone. It was natural to have left the matter to the men. And yet, in these old women it was as if, through the various tragedies of Mexican history, pity, the impulse to approach, and terror, the impulse to escape (as one had learned at college), having replaced it, had finally been reconciled by prudence, the conviction it is better to stay where you are.

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