It was high noon when the Lord Gro came to his senses in that chamber. The strong spring sunshine poured through the southern window, lighting up the wreckage of the night. The tables were cast down and the floor strewn and splashed with costly essences and earths spilt from shattered phials and jars and caskets: aphroselmia, shell of gold, saffron of gold, asem, amianth, stypteria of Melos, confounded with mandragora, vinum ardens, sal armoniack, devouring aqua regia, little pools and scattered globules of quicksilver, poisonous decoctions of toadstools and of yewberries, monkshood, thorn-apple, wolf's bane and black hellebore, quintessences of dragon's blood and serpent's bile; and with these, splashed together and wasted, elixirs that wise men have died a-dreaming of: spiritus mundi, and that sovereign alkahest which dissolveth every substance dipped therein, and that aurum potabile which being itself perfect induceth perfection in the living frame. And in this welter of spoiled treasure were the great conjuring books hurled amid the ruin of retorts and aludels of glass and lead and silver, sand-baths, matrasses, spatulae, athanors, and other instruments innumerable of rare design, tossed and broken on the chamber floor.

The noise of drinking was exhilarating. Champagne corks popped and the pale, chrysanthemum-coloured liquid, whispering gleefully with bubbles, hissed into the glasses; heavy red wine glupped into the goblets, thick and crimson as the blood of some mythical monster, and a swirling wreath of pink bubbles formed on the surface; the frosty white wine tiptoed into the glasses, shrilling, gleaming, now like diamonds, now like topaz; the ouzo lay transparent and innocent as the edge of a mountain pool until the water splashed in and the whole glass curdled like a conjuring trick, coiling and blurring into a summer cloud of moonstone white.

The wine is bottled poetry.

Yeah, I can make all the tequila in a bottle disappear. It’s a talent. Nothing comes easy and talent is something you get but, if you don’t develop it, it becomes like an apple; you keep taking bites of it until it’s gone. So you have to plant the seeds. Then you have the orchard. And then you have Jonestown.’

Tequila, scorpion honey, harsh dew of the doglands, essence of Aztec, crema de cacti; tequila, oily and thermal like the sun in solution; tequila, liquid geometry of passion; Tequila, the buzzard God who copulates in midair with the ascending souls of dying virgins; tequila, firebug in the house of good taste; O tequila, savage water of sorcery, what confusion and mischief your sly, rebellious drops do generate!”

fascinating chains full of coloured seaweed, dead pipe-fish, fishing-net corks that looked good enough to eat – like lumps of rich fruit cake – bits of bottle-glass emeried and carved into translucent jewels by the tide and the sand,

"Alcohol is the rubber tyres between me and the pier." He held up his glass to her. They chinked.

We had two bags of grass, seventy-five pellets of mescaline, five sheets of high powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls.
Not that we needed all that for the trip, but once you get locked into a serious drug collection, the tendency is to push it as far as you can.

Wine is bottled poetry.

There he lay, in a pale frothing liquid which she had, for a dreadful moment, believed to be some eccentric vital fluid of his own, but which issued from a case of broken bottles which lay near him.

I poured out a libation on the mountain top … I heaped up wood and cane and cedar and myrtle … When the gods smelled the sweet savour they gathered like flies over the sacrifice

Each of his phrases was rather like a little ancient island, inundated by a miniature sea of whiskey.

When the wine goes in, strange things come out.

As we cleared the passage we found mixed with the rubble broken potsherds, jar seals, and numerous fragments of small objects; water skins lying on the floor together with alabaster jars, whole and broken, and coloured pottery vases; all pertaining to some disturbed burial, but telling us nothing to whom they belonged further than by their type which was of the late XVIIIth Dyn. These were disturbing elements as they pointed towards plundering.