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I don’t really have an ideal reader in mind at all, whether one with or without faith. When I write it is to try to figure out something for my own purposes. It is self-indulgent really. It is much more the blank page that I write for, in some way. I have this feeling, should a problem present itself, that I should try to resolve it.

Once, Lucille and I walked beside the train to the shore. There had been a freezing rain that glazed the snow with a crust of ice, and we found that, when the sun went down, the crust was thick enough for us to walk on. So we followed the train at a distance of twenty feet or so, falling now and then, because the glazed snow swelled and sank in dunes, and the tops of bushes and fence posts rose out of it in places where we did not expect them to be. But by crawling up, and sliding down, and steadying ourselves against the roofs of sheds and rabbit hutches, we managed to stay just abreast of the window of a young woman with a small head and a small hat and a brightly painted face. She wore pearl-gray gloves that reached almost to her elbows, and hooped bracelets that fell down her arms when she reached up to push a loose wisp of hair underneath her hat. The woman looked at the window very often, clearly absorbed by what she saw, which was not but merely seemed to be Lucille and me scrambling to stay beside her, too breathless to shout. When we came to the shore, where the land fell down and the bridge began to rise, we stopped and watched her window sail slowly away, along the abstract arc of the bridge.

This document explained my aunt Molly’s departure to my whole satisfaction. Even now I always imagine her leaning from the low side of some small boat, dropping her net through the spumy billows of the upper air. Her net would sweep the turning world unremarked as a wind in the grass, and when she began to pull it in, perhaps in a pell-mell ascension of formal gentlemen and thin pigs and old women and odd socks that would astonish this lower world, she would gather the net, so easily, until the very burden itself lay all in a heap just under the surface. One last pull of measureless power and ease would spill her catch into the boat, gasping and amazed, gleaming rainbows in the rarer light.

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…People are complex — that’s the whole center of interest. I don’t make my characters complex. I have a feeling that I know a character, and one of the aspects of that is knowing that they are complex. I never have the feeling of putting a character together from a selection of qualities.

Every single one of us is a little civilization built on the ruins of any number of preceding civilizations, but with our own variant notions of what is beautiful and what is acceptable – which, I hasten to add, we generally do not satisfy and by which we struggle to live.

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Why were there an infinite number of ways to feel awkward? He believed this was a theological question having to do with man's place in the universe. But when he felt the true force of the question, he was always in the middle of an embarrassing emergency of some kind that paralyzed reflection.

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