Iranian-French graphic novelist, cartoonist, illustrator, film director, and children's book author (1969–2026)
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It's awful. Every day I see buses full of kids arriving. They come from the poor areas, you can tell... first they convince them that the afterlife is even better than Disneyland, then they put them in a trance with all their songs... it's nuts! They hypnotize them and just toss them into battle. Absolute carnage. The key to paradise was for poor people. Thousands of young kids, promised a better life, exploded on the minefield with their keys around their necks.
Well depressive, I don't know. If you have a little sensibility or a heart you have all the reason to be depressed once in a while. But the depression is like a motor for creation. I need a little bit of depression, a bit of acid in my stomach, to be able to create. When I'm happy I just want to dance."
The words are not the same and the feeling is not the same. You know, they say in France that translation is like a woman. She is either beautiful or faithful. So it’s better when she’s beautiful because when she’s too faithful it might be very ugly. This is French people. This translation, though, is very well made. This is my American editor, who knows me very well who has made the translation. But in any translation you lose a little bit.
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When they talk about “The men ruined this, the men did that,” it is a person, and their sex comes after what they’ve done. I believe that we say too much “We the women” and “We the men,” but should say “We the human beings.” There are really two types of human being -- the ones who care about environment, who want a more just society; and the other ones who care about greed and war. So it’s not a question of East and West, and American and Iranian, and women and men.