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People often say that an actor 'plays' a character well, but that's an amateurish notion. Developing a characterization is not merely a matter of putting on makeup and a costume and stuffing Kleenex in your mouth. That's what actors used to do, and then called it a characterization. In acting everything comes out of what you are, or some aspect of who you are.

It must have been spring because the big tree in front of the house was shedding pods with two wings like a dragonfly, On days when there wasn't any wind, they would spin around in the air as they drifted softly to the ground.
I watched them float all the way down, sitting with my neck craned back until my mouth opened and holding out my hand just in case, but they never landed on it. When one hit the ground I'd look up again, my eyes darting, waiting for the next magical event, the sun warming the yellow hairs on my head.
Waiting like that for the next magic was as good a moment as any other that I can remember in the last sixty -five years.

Every spring the meadow in front of the house became an ocean of canary-colored mustard blossoms, and when a wind came up, it was like watching a sea of rippling golden waves rising and falling with the breeze like breakers just before they pound into a reef.

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The military mind has one aim, and that is to make soldiers react as mechanically as possible. They want the same predictability in a man as they do in a telephone or a machine gun, and they train their soldiers to act as a unit, not as individuals.