There are times...when we are in the midst of life-moments of confrontation with birth or death, or moments of beauty when nature or love is fully revealed, or moments of terrible loneliness-times when a holy and awesome awareness comes upon us. It may come as deep inner stillness or as a rush of overflowing emotion. It may seem to come from beyond us, without any provocation, or from within us, evoked by music or by a sleeping child. If we open our hearts at such moments, creation reveals itself to us in all it's unity and fullness. And when we return from such a moment of awareness, our hearts long to find some way to capture it in words forever, so that we can remain faithful to it's higher truth.
...When my people search for a name to give to the truth we feel at those moments, we call it God, and when we capture that understanding in timeless poetry, we call it praying.
American novelist
Mary Doria Russell (born August 19, 1950) is an American author. Russell has become widely known for her two novels which explore one of science fiction's oldest concepts: first contact with aliens. In this framework she also explores the even older issue of how one can reconcile the idea of a benevolent deity with pain and evil in the world.
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IF YOU WANT A STORYBOOK ENDING, stop — now — and remember them in that tender moment. Be content to know that they embarked on a series of adventures throughout the West and that they stayed together through thick and thin for forty-five years.
But know this as well: If their story ended here, no one would remember them at all.
Where a tale begins and where it ends matters. Who tells the story, and why . . . That makes all the difference.
Wyatt Earp had been born, and born again, and now there would be a third life, for the iron fist that had seized his soul in childhood had lost its grip at last. The long struggle for control was over, and in its place, he found a wordless acceptance of a truth he'd always known. He was bred to this anger. It had been in him since the cradle. He'd never bullied neighbors or beaten a horse. He'd never punched the front teeth out of a six-year-old's mouth or hit a woman until she begged. But he was no better than his father, and never had been. He was far, far worse.
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"She had challenged him on this point one night at Anne and George's, inhibitions weakened by Ronrico: "Explain this Mass to me!"
There was a silence as he sat still, apparently looking at the dinner plates and chicken bones. "Consider the Star of David," he said quietly. "Two triangles, one pointing down, one pointing up. I find this a powerful image — the Divine reaching down, humanity reaching upward. And in the center, an intersection, where the Divine and human meet. The Mass takes place in that space." His eyes lifted and met hers: a look of lucid candor. "I understand it as a place where the Divine and the human are one. And as a promise, perhaps. That God will reach toward us if we reach toward Him, that we and our most ordinary human acts — like eating bread and drinking wine — can be transformed and made sacred.