French author, philosopher, and statesman (1533–1592)
Michel de Montaigne (Michel Eyquem, lord of the manor of Montaigne, Dordogne) (28 February 1533 – 13 September 1592) was an influential French Renaissance writer, generally considered to be the inventor of the personal essay.
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Alternative Names:
Michel Eyquem de Montaigne
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Miquèu Eiquèm de Montanha
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Miqueu Eiquem de Montanha
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Provided that a writer of almanacs has already gained enough authority for people to bother to read his books, examining his words for implications and shades of meaning, he can be made to say anything whatever – like Sybils. There are so many ways of taking anything, that it is hard for a clever mind not to find in almost any subject something or other which appears to serve his point, directly or indirectly. [C] That explains why an opaque, ambiguous style has been so long in vogue. All an author needs to do is to attract the concern and attention of posterity. (He may achieve that not so much by merit as by some chance interest in his subject-matter.) Then, whether out of subtlety or stupidity, he can contradict himself or express himself obscurely: no matter! Numerous minds will get out their sieves, sifting and forcing any number of ideas through them, some of them relevant, some off the point, some flat contradictory to his intentions, but all of them doing him honour. He will grow rich out of his students’ resources – like dons being paid their midsummer fees at the Lendit fair.
"To begin depriving death of its greatest advantage over us, let us adopt a way clean contrary to that common one; let us deprive death of its strangeness, let us frequent it, let us get used to it; let us have nothing more often in mind than death... We do not know where death awaits us: so let us wait for it everywhere."
"To practice death is to practice freedom. A man who has learned how to die has unlearned how to be a slave."
For my own part, I may desire in general to be other than I am; I may condemn and dislike my whole form, and beg of Almighty God for an entire reformation, and that He will please to pardon my natural infirmity: but I ought not to call this repentance, methinks, no more than the being dissatisfied that I am not an angel or Cato. My actions are regular, and conformable to what I am and to my condition; I can do no better; and repentance does not properly touch things that are not in our power; sorrow does.. I imagine an infinite number of natures more elevated and regular than mine; and yet I do not for all that improve my faculties, no more than my arm or will grow more strong and vigorous for conceiving those of another to be so.
‘Tis a good word and a profitable desire, but withal absurd; for to make the handle bigger than the hand, the cubic longer than the arm, and to hope to stride further than our legs can reach, is both impossible and monstrous; or that man should rise above himself and humanity; for he cannot see but with his eyes, nor seize but with his hold. He shall be exalted, if God will lend him an extraordinary hand; he shall exalt himself, by abandoning and renouncing his own proper means, and by suffering himself to be raised and elevated by means purely celestial. It belongs to our Christian faith, and not to the stoical virtue, to pretend to that divine and miraculous metamorphosis.
If the pupil proves to be of so perverse a disposition that he would rather listen to some idle tale than to the account of a glorious voyage or to a wise conversation, when he hears one; if he turns away from the drum-beat that awakens young ardour in his comrades, to listen to another tattoo that summons him to a display of juggling; if he does not fervently feel it to be pleasanter and sweeter to return from a wrestling-match, dusty but victorious, with the prize in his hand, than from a game of tennis or a ball, I can see no other remedy that for his tutor to strangle him before it is too late, if there are no witnesses.