Being rebellious and black, a nonconformist, being cool and hip and angry and sophisticated and ultra clean, whatever else you want to call it — I was all those things and more. But I was playing the fuck out of my horn and had a great group, so I didn't get recognition based only on a rebel image.

The very first thing I remember in my early childhood is a flame, a blue flame jumping off a gas stove somebody lit... I remember being shocked by the whoosh of the blue flame jumping off the burner, the suddenness of it... I saw that flame and felt that hotness of it close to my face. I felt fear, real fear, for the first time in my life. But I remember it also like some kind of adventure, some kind of weird joy, too. I guess that experience took me someplace in my head I hadn't been before... The fear I had was almost like an invitation, a challenge to go forward into something I knew nothing about. That's where I think my personal philosophy of life and my commitment to everything I believe in started... In my mind I have always believed and thought since then that my motion had to be forward, away from the heat of that flame.

Naw, I wasn't going to sell my principles for them. I wanted to be accepted as a good musician and that didn't call for no grinning, but just being able to play the horn good. And that's what I did then and now. Critics can take that or leave it.

I hate how white people always try to take credit for something after they discover it. Like it wasn't happening before they found out about it — which most times is always late, and they didn't have nothing to do with it happening. Then, they try to take all the credit, try to cut everybody black out.

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