Miles Davis Quotes

"You can't play anything on a horn that Louis hasn't played." and "I love Pops" (Louis' nickname) … Louis has been through all kinds of styles. That's good tuba, by the way. You know you can't play anything on a horn that Louis hasn't played — I mean even modern. I love his approach to the trumpet; he never sounds bad. He plays on the beat — with feeling. That's another phrase for swing. I also love the way he sings.

The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.

Is that what you wanted, Alfred?

I can't tell... All those white tenor players sound alike to me.

I’ll play it and tell you what it is later.

No, no pensaré en Gil como alguien que murió, ni tampoco pienso así en Jimmy, porque mi mente no va por esos caminos. Le echaré de menos, pero Gil sigue estando vivo en mi recuerdo, como lo está Jimmy, como lo están Trane y Bud y Monk y Bird y Mingus y Red y Paul y Wynton y todo el resto de hijoputas geniales, como Philly Joe, que ya han desaparecido de este mundo.

El conocimiento, el saber, es libertad, mientras que la ignorancia es esclavitud, y yo, simplemente, no podía creer que alguien estuviera tan cerca de la libertad y no se aprovechase de su buena suerte.

If you hit a wrong note, it's the next note that you play that determines if it's good or bad.

Why'd you put that white bitch on there?

If you love them in the morning with their eyes full of crust; if you love them at night with their hair full of rollers, chances are, you're in love.

A painting is music you can see, and music is a painting you can hear.

You can tell whether a person plays or not by the way he carries the instrument, whether it means something to him or not. Then the way they talk and act. If they act too hip, you know they can’t play shit.

But if I got my mind on something about my band or something else, well, hell, no, I don’t want to talk. When I’m working I’m concentrating. I bet you if I was a doctor sewing on some son of a bitch’s heart, they wouldn’t want me to talk.

Si no pudiera descubrir o enriquecer el arte, encontrar nuevos enfoques, me sentiría culpable de estar vivo. Preferiría la muerte a la ausencia de creación. No tendría ninguna razón para vivir si no pudiera crear, digamos, una composición. No que le guste a alguien, sino que me satisfaga, que les guste a mis amigos. Que me digan: 'Sí, Miles, qué bueno'. Sin eso, no querría vivir. Sé que es egoísta, ¡pero los genios son egoístas!

Davis: I didn’t grow up with any, not as friends, to speak of. But I went to school with some. In high school, I was the best in the music class on the trumpet. I knew it and all the rest knew it — but all the contest first prizes went to the boys with blue eyes. It made me so mad I made up my mind to outdo anybody white on my horn. If I hadn’t met that prejudice, I probably wouldn’t have had as much drive in my work. I have thought about that a lot. I have thought that prejudice and curiosity have been responsible for what I have done in music.