There’s a difference between remorse and regret. I don’t have any regret. And when I say that, what I’m trying to say is that I’m applying my mistakes to my present so that I learned to improve on myself and be a better man. And I do think every movie I’ve made that hasn’t worked has all led me to this place where I’m at now, where I can do a movie like The Unbearable Weight of Massive Talent and I can tell the story with some integrity and authenticity to it. Everything happened for a reason. I have to look at it like that because that’s the healthiest and most positive way of looking at it.
American actor (born 1964)
Nicolas Kim Coppola (born January 7, 1964) is an American actor and filmmaker who is the recipient of various accolades, including an Academy Award, a Screen Actors Guild Award, and a Golden Globe Award.
From: Wikiquote (CC BY-SA 4.0)
Birth Name:
Nicholas Kim Coppola
Alternative Names:
Nicolas Kim Coppola
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Nicolas Coppola
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Nic Cage
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Nicholas Cage
From Wikidata (CC0)
My interest has always been cinema or films, because that’s what I was most compelled by. I was most inspired by the movie actors that I grew up with. I only hesitate to say I would because my process now is that I need about two months for the libretto of the screenplay to sink into my instruments so that I can not have to think about dialogue. That’s the first thing that’s going cave an actor in, having anxiety about not knowing their lines. I don’t want that.
The media sometimes talks about the Video-on-Demand work. The first thing I want to say about that is that, in my opinion, anyone that says “straight to video” in this age is a dinosaur. It’s past tense. Everything is streaming now. It’s one of the best ways to get your movie out there now and have it re-played. It’s been terrific for me.
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I’m not career-minded. My mantra has always been “work.” I never had a “career.” I only had “work.” That was a way of going through different movies. I find something in a movie that I think works. It’s like a rock album. Maybe not all of it works in the script, but there’s one or two songs, one or two scenes that work.