There’s a difference between remorse and regret. I don’t have any regret. And when I say that, what I’m trying to say is that I’m applying my mistakes to my present so that I learned to improve on myself and be a better man. And I do think every movie I’ve made that hasn’t worked has all led me to this place where I’m at now, where I can do a movie like The Unbearable Weight of Massive Talent and I can tell the story with some integrity and authenticity to it. Everything happened for a reason. I have to look at it like that because that’s the healthiest and most positive way of looking at it.

I developed this mantra, which is: “I never had a career, I only have work.” And when I say that, I am saying that I’m a better man when I’m working because I don’t want to be that guy that’s sitting by a pool getting bombed on mai tais and Dom Perignon.

My interest has always been cinema or films, because that’s what I was most compelled by. I was most inspired by the movie actors that I grew up with. I only hesitate to say I would because my process now is that I need about two months for the libretto of the screenplay to sink into my instruments so that I can not have to think about dialogue. That’s the first thing that’s going cave an actor in, having anxiety about not knowing their lines. I don’t want that.

The media sometimes talks about the Video-on-Demand work. The first thing I want to say about that is that, in my opinion, anyone that says “straight to video” in this age is a dinosaur. It’s past tense. Everything is streaming now. It’s one of the best ways to get your movie out there now and have it re-played. It’s been terrific for me.

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I’m not career-minded. My mantra has always been “work.” I never had a “career.” I only had “work.” That was a way of going through different movies. I find something in a movie that I think works. It’s like a rock album. Maybe not all of it works in the script, but there’s one or two songs, one or two scenes that work.