Top 15 Panini Quotes

While Pāṇini's work is purely grammatical and lexicographic, cultural and geographical inferences can be drawn from the vocabulary he uses in examples, and from his references to fellow grammarians, which show he was a northwestern person. New deities referred to in his work include Vasudeva (4.3.98). The concept of dharma is attested in his example sentence dharmam carati "he observes the law" (cf. Taittiriya Upanishad 1.11).

It is not certain whether Pāṇini used writing for the composition of his work, though it is generally agreed that he knew of a form of writing, based on references to words such as "script" and "scribe" in his Ashtadhyayi. These must have referred to Aramaic or early Kharosthi writing. It is believed by some that a work of such complexity would have been difficult to compile without written notes, though others have argued that he might have composed it with the help of a group of students whose memories served him as 'notepads' (as is typical in Vedic learning). Writing first reappears in India in the form of the Brāhmī script from the 3rd century BC in the Ashokan inscriptions.

Pāṇini's grammar defines Classical Sanskrit, so Pāṇini by definition lived at the end of the Vedic period. He notes a few special rules, marked chandasi ("in the hymns") to account for forms in the Vedic scriptures that had fallen out of use in the spoken language of his time. These indicate that Vedic Sanskrit was already archaic, but still a comprehensible dialect.

The most successful, hence most prominent amongst these grammarians was Panini. His grammar, surpassing all others in tightness and precision, became the standard and remained so undisputedly until today. Panini was able to joint the original devanagari language into an exact framework of rules, thus preserving it for the posterity. Since his time, this language is called Sanskrit, “joined together, refined”.

Sanskrit is a scientific and systematic language. Its grammar is perfect and has attracted scholars worldwide. Sanskrit has a perfect grammar which has been explained to us by the world's greatest grammarian Panini.

A treatise called Astadhyayi (or Astaka) is Panini's major work. It consists of eight chapters, each subdivided into quarter chapters. In this work Panini distinguishes between the language of sacred texts and the usual language of communication. Panini gives formal production rules and definitions to describe Sanskrit grammar. Starting with about 1700 basic elements like nouns, verbs, vowels, consonants he put them into classes. The construction of sentences, compound nouns etc., is explained as ordered rules operating on underlying structures in a manner similar to modern theory. In many ways Panini's constructions are similar to the way that a mathematical function is defined today.

Panini was a Sanskrit grammarian who gave a comprehensive and scientific theory of phonetics, phonology, and morphology. Sanskrit was the classical literary language of the Indian Hindus and Panini is considered the founder of the language and literature. It is interesting to note that the word "Sanskrit" means "complete" or "perfect" and it was thought of as the divine language, or language of the gods.

In the fifteenth century Rāmachandra, in his Prakriyā-kaumudī, or "Moonlight of Method," endeavoured to make Pāṇini's grammar easier by a more practical arrangement of its matter. Bhaṭṭoji's Siddhānta-kaumudī (seventeenth century) has a similar aim; an abridgment of this work, the Laghu-kaumudī, by Varadarāja is commonly used as an introduction to the native system of grammar. Among non-Pāṇinean grammarians may be mentioned Chandra (about 600 A.D.), the pseudo-Çākaṭāyana (later than the Kāçikā), and, the most important, Hemachandra (12th century), author of a Prākrit grammar.

The Mahābhāshya was commented on in the seventh century by Bhartṛihari in his Vākyapadīya which is concerned with the philosophy of grammar, and by Kaiyaṭa (probably thirteenth century). About 650 A.D. was composed the first complete commentary on Pāṇini, the Kāçikā Vṛitti or "Benares Commentary," by Jayāditya and Vāmana.

Next we have the Vārttikas or "Notes" of Kātyāyana (probably third century B.C.) on 1245 of Pāṇini's rules, and, somewhat later, numerous grammatical Kārikās or comments in metrical form: all this critical work was collected by Patanjali in his Mahābhāshya or "Great Commentary," with supplementary comments of his own. He deals with 1713 rules of Pāṇini.

Among the earliest attempts to explain Pāṇini was the formulation of rules of interpretation or paribhāshās; a collection of these was made in the last century by Nāgojibhaṭṭa in his Paribhāshenduçekhara.

Pāṇini had before him a list of irregularly formed words, which survives, in a somewhat modified form, as the Uṇādi Sūtra. There are also two appendixes to which Pāṇini refers: one is the Dhātupāṭha, "List of Verbal Roots," containing some 2000 roots, of which only about 800 have been found in Sanskrit literature, and from which about fifty Vedic verbs are omitted; the second is the Gaṇapāṭha, or "List of Word-Groups," to which certain rules apply. These gaṇas were metrically arranged in the Gaṇaratna-mahodadhi, composed by Vardhamāna in 1140 A.D.

The medicine of Sushruta is considerably older than the ninth century; and the grammar of Panini probably precedes Christianity.

Classical Sanskrit theatre flourished during the first nine centuries CE. Aphorisms on acting appear in the writings of Panini, the Sanskrit grammarian of the 5th century BCE, and references to actors, dancers, mummers, theatrical companies, and academies are found in Kautilya’s book on statesmanship, the Artha-shastra (4th century BCE).

For example, the great linguist Panini gave the concept for meta-language-and constructed one-thousands of years before computer scientists began exploring the same idea. No one has been able to match him to this day.