How is it possible to be uninterested in other men and by virtue of what cold nonchalance can you detach yourself from the life that they supply so copiously?

I also often hear the word 'evolution'. Repeatedly I am asked to explain how my painting evolved. To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was. Art does not evolve by itself, the ideas of people change and with them their mode of expression. (Paris 1923)

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If I paint a wild horse, you might not see the horse... but surely you will see the wildness!

I am a woman. Every artist is a woman and should have a taste for other women. Artists who are homosexual cannot be true artists because they like men, and since they themselves are women they are reverting to normality.

When we did Cubist paintings [Picasso and Georges Braque, in their early Cubist period in Paris], our intention was not to produce Cubist paintings but to express what was within us. No one laid down a course of action for us, and our friends the poets [a.o. Appolinaire and Cendral] followed our endeavor attentively but they never dictated it to us. [Boisgeloup, winter 1934].

When you come right down to it all you have is yourself. The sun is a thousand rays in your belly. All the rest is nothing.