Many think that Cubism is an art of transition, an experiment which is to bring ulterior results. Those who think that way have not understood it. Cubism is not either a seed or a foetus, but an art dealing primarily with forms, and when a form is realized it is there to live its own life. A mineral substance, having geometric formation, is not made so for transitory purposes, it is to remain what it is and will always have its own form.
Spanish painter and sculptor (1881–1973)
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish artist who lived and worked in Paris for many years. Around 1906–1908 together with Georges Braque Picasso initiated cubism, based on a strong inspiration of Paul Cézanne's work.
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
Pau de Gósol
Alternative Names:
Pablo Ruiz Y Picasso
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Pablo Ruiz
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Pablo Ruys Picasso
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Pablo Ruiz Picasso
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Pablo Ruys
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Picasso
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Pablo Ruiz y Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
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Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
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P. Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Cipriano de la Santísima Trinidad Ruiz Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Cipriano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso
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Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso
From Wikidata (CC0)
Cubism is no different from any other school of painting. The same principles and the same elements are common to all. The fact that for a long time cubism has not been understood and that even today there are people who cannot see anything in it, means nothing. I do not read English, and an English book is a blank to me. This does not mean that the English language does not exist, and why should I blame anyone but myself if I cannot understand what I know nothing about?
We all know that Art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies. If he only shows in his work that he has searched, and re-searched, for the way to put over lies, he would never accomplish anything.
I can hardly understand the importance given to the word research in connection with modern painting. In my opinion to search means nothing in painting. To find is the thing. Nobody is interested in following a man who, with his eyes fixed on the ground, spends his life looking for the purse that fortune should put in his path. The one who finds something no matter what it might be, even if his intention were not to search for it, at least arouses our curiosity, if not our admiration.
They speak of naturalism in opposition to modern painting. I would like to know if anyone has ever seen a natural work of art. Nature and art, being two different things, cannot be the same thing. Through art we express our conception of what nature is not. Velasquez left us his idea of the people of his epoch. Undoubtedly they were different from what he painted them, but we cannot conceive a Philip IV in any other way than the one Velasquez painted... [Paris 1923].
When I hear people speak of the evolution of an artist, it seems to me that they are considering him standing between two mirrors that face each other and reproduce his image an infinite number of times, and that they contemplate the successive images of one mirror as his past, and the images of the other mirror as his future, while his real image is taken as his present. They do not consider that they all are the same images in different planes... [Paris 1923].
Among the several sins that I have been accused of committing, none is more false than the one that I have, as the principal objective in my work, the spirit of research. When I paint my object is to show what I have found and not what I am looking for. In art intentions are not sufficient and, as we say in Spanish, love must be proved by facts and not by reasons... [Paris 1923].
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