American fantasy writer (1948–2022)
The idea of fairyland fascinates me because it's one of those things, like mermaids and dragons, that doesn't really exist, but everyone knows about it anyway. Fairyland lies only in the eye of the beholder who is usually a fabricator of fantasy. So what good is it, this enchanted, fickle land which in some tales bodes little good to humans and, in others, is the land of peace and perpetual summer where everyone longs to be? Perhaps it's just a glimpse of our deepest wishes and greatest fears, the farthest boundaries of our imaginations. We go there because we can; we come back because we must. What we see there becomes our tales.
At its best, fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world. The greatest tales are told over and over, in many ways, through centuries. Fantasy changes with the changing times, and yet it is still the oldest kind of tale in the world, for it began once upon a time, and we haven't heard the end of it yet.
The young gentlemen who came calling seemed especially puzzling. They sat in their velvet shirts and their leather boots, nibbling burnt cakes and praising Diamond's mind, and all the while their eyes said other things. Now, their eyes said. Now. Then: Patience, patience. 'You are flowers,' their mouths said, 'You are jewels, you are golden dreams.' Their eyes said: I eat flowers, I burn with dreams, I have a tower without a door in my heart, and I will keep you there...