Patrick White Quotes

they were both shocked, if not positively alarmed, by an interruption to their celebration. The door opened. ‘Sister, can she be seen?’ It was Mr Wyburd in something too loud for a whisper and less than his usual grammar. ‘The princess has arrived. Her daughter.’ As if this were not enough, a second figure was pushing rustling past the one at the door: for Mrs Hunter it was sound perfume joy despair; whereas Sister Badgery saw a tall thin hatless woman, somewhere around fifty (to be on the kind side) her dress unsurprising except for its simplicity and the pearls bounding about around her neck, and on her bosom, as she half ran half staggered. A princess shouldn’t run, the nurse recovered herself enough to disapprove; and she shouldn’t have a horse face. But Dorothy floundered, imperviously, on. ‘O mon Dieu, aidez-moi !’ she gasped, before assuming another of her selves, or voices, to utter, ‘Mother!’ and lower, ‘Mum!’ Then, by act of special grace, a blind was drawn over the expression the intruder was wearing for this old mummy propped up in bed, a thermometer sticking out of its mouth; if life were present, it was the life generated by jewels with which the rigid claws were loaded.

For several hours we were thrown and battered — till suddenly calm felt — the calmest calm I have ever experienced at sea. God had willed us to enter the eye — you know about it? the still centre of the storm — where we lay at rest — surrounded by hundreds of seabirds, also resting on the water.

Possibly all art flowers more readily in silence. Certainly the state of simplicity and humility is the only desirable one for artist or for man. While to reach it may be impossible, to attempt to do so is imperative. Stripped of almost everything that I had considered desirable and necessary, I began to try. Writing, which had meant the practice of an art by a polished mind in civilised surroundings, became a struggle to create completely fresh forms out of the rocks and sticks of words. I began to see things for the first time. Even the boredom and frustration presented avenues for endless exploration; even the ugliness, the bags and iron of Australian life, acquired a meaning. As for the cat's cradle of human intercourse, this was necessarily simplified, often bungled, sometimes touching. Its very tentativeness can be reward. There is always the possibility that the book lent, the record played, may lead to communication between human beings. There is the possibility that one may be helping to people a barely inhabited country with a race possessed of understanding. These, then, are some of the reasons why an expatriate has stayed, in the face of those disappointments which follow inevitably upon his return.

The princess fell against the bed, groping through the scents of Dettol and baby powder, to embrace, deeper than her mother, her own childhood.

There's nothing so inhuman as a human being.

Why can't a writer use writing as a painter uses paint? I try to. When I wrote The Tree of Man I felt I couldn't write about simple, illiterate people in a perfectly literate way; but in my present novel the language is more sophisticated. I think perhaps I have clarified my style quite a lot over the years. I find it a great help to hear the language going on around me; not that what I write, the narrative, is idiomatic Australian, but the whole work has a balance and rhythm which is influenced by what is going on around you. When you first write the narrative it might be unconscious, but when you come to work it over you do it more consciously. It gives what I am writing a greater feeling of reality.

Mrs. Trotter made a sincere though wrong sound, while opening her handbag to look for help.

In the 14th Century an anonymous English mystic wrote a book called The Cloud of Unknowing, the main theme of which is that God cannot be apprehended by man's intellect and that only love can pierce the "cloud of unknowing" which lies between Him and us. I feel that in my own life anything I have done of possible worth has happened in spite of my gross, worldly self. I have been no more than the vessel used to convey ideas above my intellectual capacities. When people praise passages I have written, more often than not I can genuinely say, 'Did I write that?' I don't think this is due to my having a bad memory, because I have almost total recall of trivialities. I see it as evidence of the part the supernatural plays in lives which would otherwise remain earthbound.

Have you met my housekeeper?’ Dorothy was palpitating. ‘In your old room. Practically as you left it. One has to respect what other people are — essentially — even when they try to destroy themselves. But I offer you your room — your latchkey — financial security — if only you will realize that badly heated Paris apartment is — so — so pernicious.’ Dorothy de Lascabanes had flown to her mother’s bedside to pronounce an ultimatum, a brutal one if necessary, and here she was, her head literally so heavy she had to support it with her hands. ‘I don’t know, Mummy!’ she muttered from behind her wrists. ‘Think it over, darling. Nothing can be decided in — you know I would never let you want — and for that reason.’ They had lapsed. Both of them. The princess might have been sunk in a lake of mercury, but Mrs Hunter was probably born of that substance.

No animal suffers worse than a human being.

Many of those who hear me believe I am putting on an act, while others who had considered I am one who surely knows the answers, are depressed to find that, by my own admission, I don't. What I do know for certain is that what is regarded as success in a rational materialistic society only impresses superficial minds. It amounts to nothing and will not help us rout the destructive forces threatening us today. What may be our salvation is the discovery of the identity hidden deep in any one of us, and which may be found in even the most desperate individual, if he cares to search the spiritual womb which contains the embryo of what can be one's personal contribution to truth and life.

So that, in the end, there was no end.

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