British Romantic poet (1792–1822)
Percy Bysshe Shelley (4 August 1792 – 8 July 1822) was one of the major English romantic poets, widely considered to be among the finest lyric poets in the English language; husband of Mary Shelley.
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Alternative Names:
Percy Byssche Shelley
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Percy Shelley
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Shelli Persi Bish
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Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
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O wild West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the spring shall blow Her clarion o'er the dreaming earth.
Sorrow (A Song)
To me this world's a dreary blank,
All hopes in life are gone and fled,
My high strung energies are sank,
And all my blissful hopes lie dead. — The world once smiling to my view,
Showed scenes of endless bliss and joy;
The world I then but little knew,
Ah! little knew how pleasures cloy;
All then was jocund, all was gay,
No thought beyond the present hour,
I danced in pleasure’s fading ray,
Fading alas! as drooping flower.
Nor do the heedless in the throng,
One thought beyond the morrow give,
They court the feast, the dance, the song,
Nor think how short their time to live.
The heart that bears deep sorrow’s trace,
What earthly comfort can console,
It drags a dull and lengthened pace,
'Till friendly death its woes enroll. — The sunken cheek, the humid eyes,
E’en better than the tongue can tell;
In whose sad breast deep sorrow lies,
Where memory's rankling traces dwell. — The rising tear, the stifled sigh,
A mind but ill at ease display,
Like blackening clouds in stormy sky,
Where fiercely vivid lightnings play.
Thus when souls' energy is dead,
When sorrow dims each earthly view,
When every fairy hope is fled,
We bid ungrateful world adieu.
Should it be proved... that the mysterious principle which regulates the proceedings of the universe, is neither intelligent nor sensitive, yet it is not an inconsistency to suppose at the same time, that the animating power survives the body which it has animated, by laws as independent of any supernatural agent as those through which it first became united with it. Nor, if a future state be clearly proved, does it follow that it will be a state of punishment or reward.
I am willing to admit that some few axioms of morality, which Christianity has borrowed from the philosophers of Greece and India, dictate, in an unconnected state, rules of conduct worthy of regard; but the purest and most elevated lessons of morality must remain nugatory, the most probable inducements to virtue must fail of their effect, so long as the slightest weight is attached to that dogma which is the vital essence of revealed religion.
Thy wisdom speaks in me, and bids me dare Beacon the rocks on which high hearts are wreckt. I never was attached to that great sect, Whose doctrine is, that each one should select Out of the crowd a mistress or a friend, And all the rest, though fair and wise, commend To cold oblivion, though it is in the code Of modern morals, and the beaten road Which those poor slaves with weary footsteps tread, Who travel to their home among the dead By the broad highway of the world, and so With one chained friend, — perhaps a jealous foe, The dreariest and the longest journey go.