German philosopher (born 1947)
Peter Sloterdijk (born June 26, 1947, in Karlsruhe) is a German philosopher, television host, cultural scientist and essayist. He is a professor of philosophy and media theory at the University of Art and Design Karlsruhe.
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To be “reasonable” means to put oneself into a special, rarely happy relation to the sensuous. “Be reasonable” means, practically speaking, do not trust your impulses, do not listen to your body, learn control, starting with your own sensuousness. But intellect and sensuousness are inseparable. Torless’s outbreak of sweating after two pages of the Critique of Pure Reason contains as much truth as the whole of Kantianism. The understood mutual interaction of physis and logos is philosophy, not what is spoken.
There probably has to be a worldview for practical men who must be strong enough to get their hands dirty in political practice without getting dirty themselves, and even if they do, who cares? And a second worldview for youths, simpletons, women, and sensitive souls, for whom “purity” is just the right thing. One could call it a division of labor among temperaments.
Since the eighteenth century, enlighteners have concerned themselves—as defenders of “true morality,” whatever that may be—with the morality of those who rule. … The moralism in the bourgeois sense of decency put aristocratically refined immoralism into the position of the politically accused. … But bourgeois thinking all too naively assumes it is possible to subordinate political power to moral concepts. It does not anticipate that one day, when it has itself come to power, it will end up in the same ambivalence. It has not yet realized that it is only a small step from taking moral offense to respectable hypocrisy.
Since modern thinking no longer entrusts itself with the translation of self-knowledge into worldly knowledge, and of world experience into self-experience, philosophy has had to withdraw from theories of "objective reason" into those of "subjective reason." The ground is thus taken from under the feet of the ancient holistic pathos, and philosophy sinks into the apparent truncatedness and groundlessness of the subjective.
In our thinking there is no longer any spark of the uplifting flight of concepts or of the ecstasies of understanding. We are enlightened, we are apathetic. No one talks anymore of a love of wisdom. There is no longer any knowledge whose friend (philos) one could be. It does not occur to us to love the kind of knowledge we have; rather we ask ourselves how we might contrive to live with it without becoming ossified.
Ideology critique raises a claim that it shares with hermeneutics, namely, the claim to understand an “author” better than he understands himself. What at first sounds arrogant about this claim can be methodologically justified. Others often really do perceive things about me that escape my attention—and conversely. They possess the advantage of distance, which I can profit from only retrospectively through dialogic mirroring. This, of course, would presuppose a functioning dialogue, which is precisely what does not take place in the process of ideology critique. An ideology critique that does not clearly accept its identity as satire can, however, easily be transformed from an instrument in the search for truth into one of dogmatism. All too often, it interferes with the capacity for dialogue instead of opening up new paths for it.
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The violent, antirationalistic impulse in Western countries is reacting to an intellectual state of affairs in which all thinking has become strategy; this impulse shows a disgust for a certain form of self-preservation. It is a sensitive shivering from the cold breath of a reality where knowledge is power and power is knowledge.
The establishment of inwardness and the creation of the illusion of privacy are the most subversive themes of enlightenment. It is still not really clear today who the social conveyor of this impulse of enlightenment may be. One of the ambivalences of enlightenment is that although intelligence can be explained sociologically, educationally, and politically, “wisdom,” self-reflection cannot. The subject of a radical ego enlightenment cannot be socially identified with certainty—even though the procedures of this enlightenment are anchored in reality. In this point, the majority of societies seem to strive for a conscious nonenlightenment.
The courtly person (cortegiano, gentilhomme, gentleman, Hofmann) has gone through a training in self-esteem that expresses itself in many ways: in aristocratically pretentious opinions, in polished or majestic manners, in gallant or heroic patterns of feeling as well as in a selective, aesthetic sensitivity for that which is said to be courtly or pretty. The noble, far removed from any self-doubt, should achieve all this with a complete matter-of-factness. Any uncertainty, any doubt in these things signifies a slackening in the nobility’s cultural “identity.” This class narcissism, which has petrified into a form of life, tolerates no irony, no exception, no slips, because such disturbances would give rise to unwelcome reflections. The French nobles did not turn up their noses at Shakespeare’s “barbarism” without reason. In his plays one already “smells” the human ordinariness of those who want to stand before society as the best. With the ascendancy of the bourgeoisie, the place of the “best” is awarded anew. The bourgeois ego, in an unprecedented, creative storming to the heights of a new class consciousness won for itself an autonomous narcissism.
Cynicism is enlightened false consciousness. It is that modernized, unhappy consciousness, on which enlightenment has labored both successfully and in vain. It has learned its lessons in enlightenment, but it has not, and probably was not able to, put them into practice. Well-off and miserable at the same time, this consciousness no longer feels affected by any critique of ideology; its falseness is already reflexively buffered.
Every naturalism begins as involuntary naïveté. Initially, we cannot help thinking that the “order of things” is an objective order. For the first glance falls on the things and not on the “eyeglasses.” In the work of enlightenment, this first innocence becomes irretrievably lost. Enlightenment leads to the loss of naïveté and it furthers the collapse of objectivism through a gain in self-experience. It effects an irreversible awakening and, expressed pictorially, executes the turn to the eyeglasses, i.e., to one’s own rational apparatus. Once this consciousness of the eyeglasses has been awakened in a culture, the old naïveté loses its charm, becomes defensive, and is transformed into narrow-mindedness, which is intent on remaining as it is. The mythology of the Greeks is still enchanting; that of fascism is only stale and shameless. In the first myth, a step toward an interpretation of the world was taken; in simulated naïveté, an artful stupefaction (Verdummung) is at work—the predominant method of self-integration in advanced social orders.