René Daumal Quotes

I've got a couple of other ideas. For instance, about the viscosity of sound. Sounds spread over surfaces, slide across polished floors, flow in gutters, pile up in corners, snap on ridges, fall like rain on mucous membranes, swarm on plexuses, flame up on body hair, and flutter on skin like warm air over summer fields. There are aerial battles where sound waves bounce back on themselves, start spinning and whirl between heaven and earth, like the indestructible regret of the suicide, who halfway down from the sixth floor all of a sudden no longer wants to die any more. There are words which do not reach their mark and roll up into roving balls, swollen with danger, like lightning does sometimes when it fails to find its target. There are words which freeze...

If I were to tell this story the way history is usually written or the way each of us recalls his own past, which means recording only the most glorious moments and inventing a new continuity for them, I should omit these little details and say that our eight stout hearts drummed from morning to night in time with a single all-encompassing desire — or some such lie. But the flame that kindles desire and illuminates thought never burned for more than a few seconds at a stretch. The rest of the time we tried to remember it.
Fortunately the demands of daily work, in which each of us had his vital role, reminded us that we had come aboard of our own free will, that we were indispensable to one another, and that we were on a ship — that is to say, in a temporary habitation, designed to transport us somewhere else. If anyone forgot it, someone else lost no time in reminding him.

"If, on the way back from the Passage des Patriarches to my apartment near Saint-Germain-des-Prés, I had thought of examining myself like a transparent foreign body, I should have discovered one of the laws which governs the behavior of "featherless bipeds unequipped to conceive the number pi" — Father Sogol's definition of the species to which he, you, and I belong. This law might be termed: inner resonance to influences nearest at hand. The guides on Mount Analogue, who explained it to me later, called it simply the chameleon law. Father Sogol had really convinced me, and while he was talking to me, I was prepared to follow him in his crazy expedition. But as I neared home, where I could again find all my old habits, I imagined my colleagues at the office, the writers I knew, and my best friends listening to an account of the conversation I had just had. I could imagine their sarcasm, their skepticism, and their pity. I began to suspect myself of naiveté and credulity, so much so that when I tried to tell my wife about meeting Father Sogol, I caught myself using expressions like "a funny old fellow," "an unfrocked monk," "a slightly daffy inventor," "a crazy idea.

I succeeded by following the same method, which consists in regarding the problem as solved and deducing from the solution all logical consequences.

A man who makes a plate or a shirt or a loaf of bread or anything our great great ancestors called a work of art, has no need to try to be sincere; all he can do is practice his craft to the best of his ability. But once he starts making useless things, how can he not be sincere?

Having no lead to follow, we were swept up by words, memories, manias, grudges, and solidarities. Having no goal to aim for, we wasted what little life there was in our thoughts on joining in with a pun, speaking ill of common acquaintances, avoiding unpleasant facts, riding hobbyhorses, pushing at open doors, making faces, and preening ourselves.

To reach the summit, one must proceed from encampment to encampment. But before setting out for the next refuge, one must prepare those coming after to occupy the place one is leaving. Only after having prepared them can one go on up. That is why, before setting out for a new refuge, we had to go back down in order to pass on our knowledge to other seekers...

He questioned us one after the other. Each one of his questions — all of them very simple: Who were we? Why had we come? — caught us completely off our guard and seemed to probe our very insides. Who are you? Who am I? We could not answer him as we could a police official or a customs inspector. Give one's name and profession? What does that mean? But *who* are you? And *what* are you? The words we uttered — we had none better — were worthless, repugnant and grotesque as dead things. We realized that with the guides of Mount Analogue, we could no longer get away with just words.

"I am a man?" Why not say, "I am Alphonse," or "I am a wholesaler," or "a crook," or "a mammal," or "a philosopher," or "a proud animal"?

Never halt on a shifting slope. Even if you think you have a firm foothold...

Out of a single man, they get a thousand: homo economicus, homo politicus, homo physico-chimicus, homo endocrinus, homo skeletonicus, homo emotions, homo percipiens, homo libidinosus, homo peregrinans, homo ridens, homo ratiocinans, homo artifex, homo aestbeticus, homo religiosus, homo sapiens, homo historicus, homo ethnographicus, and many, many more. But at the very end of the production line in this laboratory of mine sits a Scienter who is quite unique. Three thousand brains in one. His function is to collect all the data and clarifications written up by the specialist Scienters. When he has collated everything, he is convinced that he has clasped the red rabbit or the essential man entire to his understanding. There you are, you can see him from here,' he ended, with a sign to one of his assistants who brought me a pair of binoculars.

I put them to my eyes and, indeed, at the far end of the gallery, I saw the Omniscienter. There he was, an enormous cranial dome with a tiny, shapeless, crumpled face, which seemed to me to be hanging by the ears from the two ebony knobs on the back of a raised throne. Swinging to and fro beneath this head was a little cloth puppet which dangled its empty trouser legs over the crimson plush seat. His tiny right arm was kept aloft by means of a wire, and the index finger rested on his temple in the gesture of one who knows. Above the throne ran a banner bearing this inscription:

I KNOW EVERYTHING, BUT I DON'T UNDERSTAND ANY OF IT

...the odor of literature as a stopgap, of words piled one upon the other to avoid taking action or to console oneself for being incapable of it.

I am dead because I have no desire, I have no desire because I think I possess, I think I possess because I do not try to give; Trying to give, we see that we have nothing, Seeing that we have nothing, we try to give ourselves, Trying to give ourselves, we see that we are nothing, Seeing that we are nothing, we desire to become, Desiring to become, we live.

"At that point [Father Sogol] gave me a roguish and forceful look demanding my complicity in this adroit falsehood. For naturally everyone was still in the dark. But by this simple ruse each person had the impression of belonging to a minority, of being among "one or two not yet informed," felt himself surrounded by a convinced majority, and was eager to be quickly convinced himself. This simple method of Sogol's for "getting the audience into the palm of his hand," as he phrased it, was a simple application of the mathematical method that consists in "considering the problem as solved." And he also used the chemical analogy of a "chain reaction." But if this use was employed in the service of truth, could one still call it falsehood? In any case everyone pricked up his ears."

"In the evenings in bed, with the light out, I tried to picture death, the “most nothing of all.” In imagination I suppressed all the circumstances of my life and I felt gripped in ever tighter circles of panic. There was no longer any “I.” What is it after all, “I”? ...Then one night, a marvelous idea came to me: Instead of just submitting to this panic, I would try to observe it, to see where it is, what it is. I perceived then that it was
connected to a contraction in my stomach, a little under my ribs, and also in my throat...I forced myself to unclench, to relax my stomach. The panic disappeared ... when I tried again to think about death, instead of being gripped by the claws of panic I was filled by an entirely new feeling, whose name I did not know, something between mystery and hope."
-Mount Analogue, Rene Daumal