A dynamic force seems to be drawing first Western society, then the rest of the world, toward a state of relative indifferentiation never before known on earth, a strange kind of nonculture or anticulture we call modern.

The commandment to imitate Jesus does not appear suddenly in a world exempt from imitation; rather it is addressed to everyone that mimetic rivalry has affected. Non-Christians imagine that to be converted they must renounce an autonomy that all people possess naturally, a freedom and independence that Jesus would like to take away from them. In reality, once we imitate Jesus, we discover that our aspiration to autonomy has always made us bow down before individuals who may not be worse than we are but who are nonetheless bad models because we cannot imitate them without falling with them into the trap of rivalries in which we are ensnarled more and more.

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The truth of mimetic theory is unacceptable to the majority of human beings, because it involves Christ. The Christian cannot help but think about the world as it is, and see its extreme fragility. I think that religious faith is the only way to live with this fragility. Otherwise all we're left with is Pascalian diversion and the negation of reality. I've gotten interested in Pascal again, by the way. His notion of diversion, or distraction, is so powerful! But it's clear there was something missing in his life: he never had any trouble getting along with people. And even though his youthful brilliance aroused jealousy, he never experienced rivalry, even in science. As a scientist, he understood the importance of diversion, of distraction. But he never knew rivalry in love, as Shakespeare and Cervantes did, for example; he had no way of seeing, as Racine did, the negation of desire in the very functioning of desire. Bizarrely, this is characteristic of the great French authors of the Renaissance.

There is no culture without a tomb and no tomb without a culture; in the end the tomb is the first and only cultural symbol. The above-ground tomb does not have to be invented. It is the pile of stones in which the victim of the unanimous stoning is buried. It is the first pyramid.

An examination of our terms, such as competition, rivalry, emulation, etc., reveals that the traditional perspective remains inscribed in the language. Competitors are fundamentally those who run or walk together, rivals who dwell on opposite banks of the same river, etc…The modern view of competition and conflict is the unusual and exceptional view, and our incomprehension is perhaps more problematic than the phenomenon of primitive prohibition. Primitive societies have never shared our conception of violence. For us, violence has a conceptual autonomy, a specificity that is utterly unknown to primitive societies. We tend to focus on the individual act, whereas primitive societies attach only limited importance to it and have essentially pragmatic reasons for refusing to isolate such an act from its context. This context is one of violence. What permits us to conceive abstractly of an act of violence and view it as an isolated crime is the power of a judicial institution that transcends all antagonists. If the transcendence of the judicial institution is no longer there, if the institution loses its efficacy or becomes incapable of commanding respect, the imitative and repetitious character of violence becomes manifest once more; the imitative character of violence is in fact most manifest in explicit violence, where it acquires a formal perfection it had not previously possessed. At the level of the blood feud, in fact, there is always only one act, murder, which is performed in the same way for the same reasons in vengeful imitation of the preceding murder. And this imitation propagates itself by degrees. It becomes a duty for distant relatives who had nothing to do with the original act, if in fact an original act can be identified; it surpasses limits in space and time and leaves destruction everywhere in its wake; it moves from generation to generation. In such cases, in its perfection and paroxysm mimesis becomes a chain reaction of vengeance, in which human beings are constrained to the monotonous repetition of homicide. Vengeance turns them into doubles.

The true threat to the world today comes from the mad ambitions of states and capitalists bent on destroying non-modern cultures. It is the so-called developed countries that plunder the planet's resources without showing the least concern for consequences they are incapable of foreseeing.

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La dialettica hegeliana si fondava sul coraggio fisico: colui che non ha paura sarà il padrone, colui che ha paura sarà lo schiavo. La dialettica romanzesca si fonda sull'ipocrisia: la violenza, lungi dal servire gli interessi di colui che la esercita, rivela l'intensità del suo desiderio; è dunque un segno di schiavitù.

There is always an attempt to move away from the Cross, that is, to perpetuate man’s misrecognition of his violence and protect his pride from the revelation. Without the Cross, there is no revelation of the fundamental injustice of the scapegoat mechanism, which is the founder of human culture, with all its repercussions in our relationships with each other.

"The revolutionaries thought they would be destroying vanity when they destroyed the privileges of the noble. But vanity is like a virulent cancer that spreads in a more serious form throughout the body just when one thinks it has been removed. Who is there left to imitate after the "tyrant"? Henceforth men shall copy each other; idolatry of one person is replaced by hatred of a hundred thousand rivals. In Balzac's opinion, too, there is no other god but envy for the modern crowd whose greed is no longer stemmed and held within acceptable limits by the monarch. Men will become gods for each other."

Men cannot confront the naked truth of their own violence without the risk of abandoning themselves to it entirely. They have never had a very clear idea of this violence, and it is possible that the survival of all human societies of the past was dependent on this fundamental lack of
understanding.

"2. "Mimetic doubles" refers to the situation in which rivals become so obsessed with each other that they mirror each other's emotions and actions. The doubles are alike but they mistakenly see a great difference between them. Mimetic doubles are quite dangerous to one another and to others and can be quite self-destructive. — Trans."

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I maintain that passion and desire are never authentic in the Heideggerean sense. They do not emerge from the depths of our being; we always borrow them from others. Far from seeing conflict as a sign of mastery, as Heidegger does, we must see it as exactly the opposite, a confirmation of the mimetic nature of our desires.