A lot of journalists give me a hard time about how I look, but I've never met a journalist I'd rather look like. And it's not just a performance thing. I don't drive around the countryside in full makeup because it would scare the animals, but I've been wearing makeup since I was a teenager, after I saw Bowie wearing it on Top of the Pops. I immediately borrowed someone's older sister's makeup and put it on. I loved how odd it made me look, and the fact that it upset people. You put on eyeliner and people start screaming at you. How strange, and how marvellous.

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We never became a mainstream band. It's kind of like we've bridged two worlds, or fallen between two stools, between alternative and mainstream. To a lot of mainstream programmers, The Cure is still a bit too weird. To an alternative programmer, sometimes we're a bit too mainstream. Sometimes we've benefited from that and sometimes we've kind of suffered. I actually enjoy that kind of position because I think it reflects what the band does (CMJ, December 1999)

The fun thing is something people always miss out on with us. It's been brilliant making this album, but even as far back as Faith or Pornography we were still having a good crack. People would see me and Simon laughing and drinking ourselves unconscious together and they couldn't understand how we could be like that and still be in this angst-ridden band. But it's easy to be like that -- it's what being little, being a child, is all about. When you're grown up, you can't do it cos' you think about it too much. (Melody Maker, March 7, 1992)

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I used to go out with Severin a lot to dance clubs but we wouldn't dance. It'd be more like take drugs and try to get to the toilet which would usually take about two hours...we became good friends but we were never really good for each other. Our friendship was based entirely on altered states. Whenever we went out together I would never come home until the next day. Mary hated it. (Faith, 1983)

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I got very frustrated when I was reading so-called classic books or films, or listening to underground music which is trying to tell you something. it´s all nonsense, and it´s disillusioning. So it would be a paradox for me to then decide I´m going to communicate something. (Sounds, August 24, 1985)

It's really weird but my parents used to tell me I could do anything I wanted to. I used to say, 'Well, what if I want to be an astronaut and go to the moon?" and my dad used to say, 'If you really want to you can'. I used to think he was talking absolute rubbish, particularly when I was 21 and he was still saying that. But in a way it really stuck with me cos my dad ended up doing exactly what he wanted to do. To an outside point of view he's totally conformed, he's had a family and four kids but he's only ever done things that made him genuinely happy. "He jacked in his job cos it made him unhappy and he didn't want to compromise his entire life just for the sake of carrying it through. It's very admirable, that quality, and I think it's very rare in people. Most people feel so conditioned, so oppressed by everything that goes on around them that they just give in. You have to refuse to give in. (Melody Maker, March 7th 1992)

What we do attracts to a certain type of people. I don't think age has anything to do with it: either you get into it or you don't. You can be 16 or 60 and you will like us or not depending on your sensibilities. (X-Press Magazine, Australia, September 2000)

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We wouldn't have been able to handle the fame if it would've hit us all of the sudden. When I was young I always dreamed of having a group that was adored by few and ignored by the rest of the world, like Nick Drake. Fortunately, when we became famous, I had no time to reflect upon anything anymore. (De Standaard newspaper 2001)