If society is organized to insulate its own arrangements from challenged and change, and thus to give itself the semblance of a natural object or an alien fate, the noncomputable and the nonmodular aspects of the mind will remain no more than a penumbral light around the darkness of computability and modularity. However, as society acquires the features of democratic experimentalism, those aspects become central to the life of the mind. The hold of the innate mental faculty on our experience gets turbinated by a political construction.

It may seem strange that there can be a structure for breaking all structures and that it can have a precise, limited form, and be built to particular specifications. Yet we have two major examples of such a structure in our experience. One is the mind as imagination. The other is society, progressively recast on the model of the imaginationː organized to shorten the distance between our context-preserving and context-transforming activities and to diminish the dependence of transformation on crisis.

The vitality of the individual ... depends on his success in fashioning a character resistant to the narrowing of experience, to the rigidity of response, and to the consequent constriction of possibility that surrender to a hardened version of what the self implies. "He was so extremely natural," said Santayana of William James, "that there was no way of telling what his nature was, or what came next." It is an observation that states an ideal, suitable to the ambitions of personality under democracy. The point is not to make war against habit or to make war against one self. It is to fashion a style of existence, a mode of the self, in which we lower our defenses enough to strengthen our readiness for the new, our attachment to life, and our love of the world.

To explore the countercurrents of consciousness in a given circumstance—uncertain promises of other futures; to trace the struggle between spirit and structure in every domain of social and cultural life; to show how vision becomes embodied in institutions and practices and, in being embodied, is both undermined and corrected, but in any event transformed; to reveal how we forfeit our freedom to imagine and reconstruct, and then regain it, even against our will; to commandeer alien wisdom the better to criticize the established order and present experience; to give voice to what has lost a voice or not yet gained one; to display in every department of our experience, from the micro to the macro and from passion to calculation, the revolt of the infinite within us against the finite around us—all this is the work of the humanities when they recognize us for what we are and might become.

By marrying experiment to speculation, we put ourselves in a dimmer version of the circumstance of the Creator. We remake nature or we imagine it remade. By this expedient we free ourselves, if only partly and tentatively, from suspicion of our beliefs, and we live once again, unafraid, in the light of the actual.

... the impulse of iconoclasmː refusing unconditional reality and value to the contingent and flawed worlds we build and affirming that there will always be more in us, individually and collectively, than there can ever be in them. The most complete expression of this iconoclastic commitment is the development of forms of life and consciousness that provide us with the means and occasions to resist and reform them. In this way, they save us from having to choose between engaging wholeheartedly in them and keeping the last word, of resistance and transcendence, to ourselves.

The arrangements of society and culture are fighting petrified; they survive in the interruption or containment of practical and visionary strife. The more society and culture are organized to increase the distance between our context-preserving and our context-transforming activities, the more these arrangements take on the appearance of natural facts. They appear to us as givens, as our collective fate. Indeed, that is what, in a sense, they then become.

The structures of society and culture are fighting turned to stone; they are what comes into existence so long and insofar as we interrupt our practical and ideological struggles over the organization of life in society. When the fighting escalates again, the structures dissolve into the collective action and imagination from which they arose. When we fashion structures design to invite their own reconstruction, we make them into both superior instruments of our power and more faithful reflections of our humanity.

A radicalized pragmatism is the operational ideology of the shortening of the distance between context-preserving and context-transforming activities. It is thus a program of permanent revolution—however, a program so conceived that the word “revolution” is robbed of all romantic otherworldliness and reconciled to the everydayness of life as it is.

Futurity should cease to be a predicament and should become a program: we should radicalize it to empower ourselves. That is the reason to take an interest in ways of organizing thought and society in ways that diminish the influence of what happened before on what can happen next. Such intellectual and institutional innovations make change in thought less dependent on the pressure of unmastered anomalies and change in society less dependent on the blows of unexpected trauma.

A central thesis of this book is that the connection between thought and practice is most intimately and fully realized only when our minds are addressed to our own affairs—the concerns of humanity. When we direct our thoughts to nature, even if to see ourselves as fixtures of nature, we loosen the connection between thought and practice. When we loosen it, we are tempted to assume the posture I earlier called naturalism. We survey both the human and the nonhuman worlds from a supposedly godlike distance. We treat the achievement of such distance as the realization of our longing for transcendence.

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In an age of democracy and of peaceful or warlike communion among all parts of humanity, philosophy, like poetry and politics, must be prophetic. The content of its prophecy is a vision of how it is that we may respond, right now and with the instruments at hand, to the experience of being lost in a void that is made up of time, into the beginning and end of which we cannot see, and that is indifferent to our concerns. It is a prophecy of the path of our unchaining and of our ascent in a world of time, in which we remain always bound to death and forever denied insight into the ultimate nature of reality.... No philosopher or philosophical tradition in the last two centuries has had a monopoly on this prophecy. It is everywhere.

The single idea that resounds on every page of this book is the idea of the infinity of the human spirit, in the individual as well as in humanity. It is a view of the wonderful and terrible disproportion of that spirit to everything that would contain and diminish it, of its awakening to its own nature through its confrontation with the reality of constraint and the prospect of death, of its terror before the indifference and vastness of the nature around it, of its discovery that what it most shares with the whole of the universe is its ruination by time, of its subsequent recognition that time is the core of reality if anything is, of its enslavement to orders of society and culture that belittle it, of its need to create a world, a human world, in which it can be and become itself even if to do so it must nevertheless rebel against every dogma, every custom, and every empire, and of its power to realize this seemingly impossible and paradoxical program by identifying, in each intellectual and political situation, the next steps.