Jewish Cuban American writer
Ruth Behar (born 1956) is an anthropologist and writer. She was born in Cuba before later immigrating to the USA, and is Jewish. Her work includes academic studies, as well as poetry, memoir, and literary fiction.
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I often say that I am Jewish because I am Cuban. I feel gratitude toward Cuba because my four grandparents found refuge there in the years before WW II at a time when the door was closed to them in the United States. If not for the welcome they received in Cuba, I would not have been born. My family came to love Cuba. When we left in the 1960s, to start a new life again in the United States after the turn to communism, it was with great sorrow. My family lived through a double exodus, a double migration, from Europe to Cuba, and then from Cuba to the United States. If we had not been given refuge twice, we would not have survived. Knowing that my ancestors fled persecution and genocide, I believe we should be compassionate and humane toward immigrants and foster policies of welcome, kindness, and generosity of spirit.
In my children’s fiction, I also want to teach them ideas. I don’t want them just to have a story: I’m giving somebody who perhaps knows nothing about Sephardic Jews a sense of that culture. Even if it is a preliminary sense, it’s an affirmation that this culture and these people exist. In that way, I’m bringing my ethnographic work even into a domain like the picture book.
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I think the most fundamental thing we can do to make the world a better place is to be open to the stories of people, to listen and take in the lived experiences of others. Stories have the power to change the world. Understanding the hopes and dreams of another person, we learn that we are all connected, and that to nurture all of our communities, our families, and our individual lives we must nurture one another.
self-interrogation is a special quality of anthropological work, one that we don’t see enough of in fiction. Sometimes in fiction, authors hide or erase the work and interrogation that they may have done to be able to write their novels. But in ethnography, we often include that interrogation within our texts. And to me, that’s an inspiring part of our storytelling.
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