Samuel Butler Quotes

If a man has not studied painting, or at any rate black and white drawing, his eyes are wild; learning to draw tames them. The first step towards taming the eyes is to teach them not to see too much.

In art, never try to find out anything, or try to learn anything until the not knowing it has come to be a nuisance to you for some time. Then you will remember it, but not otherwise. Let knowledge importune you before you will hear it. Our schools and universities go on the precisely opposite system.

To me it seems that those who are happy in this world are better and more lovable people than those who are not.

The greatest poets never write poetry. The Homers and Shakespeares are not the greatest — they are only the greatest that we can know. And so with Handel among musicians. For the highest poetry, whether in music or literature, is ineffable — it must be felt from one person to another, it cannot be articulated.

The more unpopular an opinion is, the more necessary is it that the holder should be somewhat punctilious in his observance of conventionalities generally, and that, if possible, he should get the reputation of being well-to-do in the world.

“Plants,” said he, "show no sign of interesting themselves in human affairs. We shall never get a rose to understand that five times seven are thirty-five, and there is no use in talking to an oak about fluctuations in the price of stocks. Hence we say that the oak and the rose are unintelligent, and on finding that they do not understand our business conclude that they do not understand their own. But what can a creature who talks in this way know about intelligence? Which shows greater signs of intelligence? He, or the rose and oak?

After having spent years striving to be accurate, we must spend as many more in discovering when and how to be inaccurate.

There are two classes, those who want to know and do not care whether others think they know or not, and those who do not much care about knowing but care very greatly about being reputed as knowing.

Tell me, O muse, of that ingenious hero who traveled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home.

We are so far identical with our ancestors and our contemporaries that it is very rarely we can see anything that they do not see. It is not unjust that the sins of the fathers should be visited upon the children, for the children committed the sins when in the persons of their fathers.

Surely the glory of finally getting rid of and burying a long and troublesome matter should be as great as that of making an important discovery. The trouble is that the coverer is like Samson who perished in the wreck of what he had destroyed; if he gets rid of a thing effectually he gets rid of himself too.

People are lucky and unlucky not according to what they get absolutely, but according to the ratio between what they get and what they have been led to expect.

Ideas and opinions, like living organisms, have a normal rate of growth which cannot be either checked or forced beyond a certain point. They can be held in check more safely than they can be hurried. They can also be killed; and one of the surest ways to kill them is to try to hurry them.

The youth of an art is, like the youth of anything else, its most interesting period. When it has come to the knowledge of good and evil it is stronger, but we care less about it.

A great portrait is always more a portrait of the painter than of the painted.