She runs, trips and pitches down the stairs, holding her letter.
She follows the letter down, down...
Blackout. A clatter. Strange sounds — xylophones, brass bands, sounds of falling, sounds of vertigo.
Sounds of breathing.

Can the theater teach us to wait? To forestall our satisfaction? Poems teach us how to wait. The natural world makes us wait. Erik Satie teaches us how to wait. And so does much music. Will YouTube teach us how to wait? Will YouTube teach us how to die?

And I think, as I’m surrounded by teeming life — parasites, fish, and children — I think, So, you thought you wanted to observe life? Motherhood shakes her head, clenches her fists, and demands, No, you must live it.

Then she said, “Your plays balance on air I mean they are air I mean they are performed in air so they are air. “If a whole city could balance on a seed then a city could balance on a play because a play is air and everything is air. “Your next play should be about a seed because a seed is smaller than an almond. Or maybe your next play should be smaller than an almond, about nothing, about air.

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Dear Hermia. I know we haven’t always connected, every second of the day. Husbands and wives seldom do. The joy between husband and wife is elusive, but it is strong. It endures countless moments of silent betrayal, navigates complicated labyrinths of emotional retreats. I know that sometimes you were somewhere else when we made love. I was, too. But in those moments of climax, when the darkness descended, and our fantasies dissolved into the air under the quickening heat of our desire — then, then, we were in that room together. And that is all that matters. Love, Gordon.