Top 15 Stella Vine Quotes

On Christmas Day I'll head off for a couple of laps around the Serpentine, or a trek around the whole of Hyde Park. Or I'll walk right across town, with Curtis, my son Jamie's bull mastiff

My working hours are not that conventional. I often get up about two in the morning and do a painting, and then I'll have a bath, and then I often feel very hungry around 4am, so I'll go into Soho and have a meal somewhere like Balans. That's what I love about living here - there's always life around me.

When Alexander McQueen bought the Kate Moss painting, she was really being persecuted. I can't remember the exact timing, but I think it was before the cocaine, when she was just having a hard time with Peter. I think that was when he bought that. I was really pleased because he was such a huge supporter of her. It was so terrible what was happening to her.

(I) imagined the princess, too scared to use the phone at the palace because she knew it was bugged. So she decides to go out, still wearing her best princess dress, and with her make-up smudged because she’d put it on in a hurry. And I thought she’d have gone to the shops and used a public phone. There’s a whole string of Asian newsagents at that particular place. It’s all very vivid… ‘Hi Paul, can you come over.’

I was just falling in love right, left and centre with these gorgeous young artists who came in the gallery. They’d see this fat old stripper, this nutter who runs a butcher’s shop that she thinks is an art gallery, and who thinks she’s some artist but hasn’t even been to art school... They probably thought, "Christ, who is this woman who’s texting me 20 times a day?"

Perhaps the people I choose to paint are often objects of derision celebrity is a bit of a put-down term, isn't it? But to me they are my world.

I felt I didn't belong to either family.

I felt like a social worker a lot of the time.

I would never ever amount to anything without him. That’s what he told me.

I was making very aggressive provocative paintings. Whether the Rachel paintings, or the Diana paintings, I've sensed over the three or four years that I've been in getting press attention, I've sensed that it has not been that long since the woman painter was not allowed in the Royal Academy, and not allowed to paint nude men, and thee is such a huge body of work that men have made, versus the small body of work made by women, that I am not surprised to get this response.

I will look through 200 photographs of Kate Moss and there will be just one that I connect with for some reason, maybe because of the composition or something in the eye... Something touches me and I know I have to paint it, in the way a child knows it wants something.

I'm looking forward to being old, to be able to accept what I am and become self-sufficient. Mid-forties is a good age and it's not too far away.

I had been painting Kate Moss for a long time, both before the time of her crisis and during it. I felt very strongly for her - she's a hard-working mum and it seemed as if suddenly the world turned against her. Holy water cannot help you now is painted in very warm pretty colours...

I like strong/vulnerable interesting women, and then sometimes I like painting beautiful men, like Kurt Cobain, or Mr Darcy.

I think there is a total equality for me between painting a literary figure or Kate Moss or my Mum or a dog or a bird. To me, they are all absolutely equal.