American comedian, actor, musician and writer (born 1945)
I could dream it forever and still not do it, but when the time comes for it to be done, God, I want to be ready for it, to be ready for the moment of convergence between the thing done and the doing of it, between the thing to be made and its maker. At that moment, I am speaking for everyone; I am dreaming for the billions yet to come; I am taking part of us that cannot be understood by God, and letting it bleed from the wrist onto the canvas. And it can only be made, because I have felt these things: my lust, my greed, my hatred, my happiness.
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My fear represented the failure of the human system. It is a sad truth of our creation: Something is amiss in our design, there are loose ends of our psychology that are simply not wrapped up. My fears were the dirty secrets of evolution. They were not provided for, and I was forced to construct elaborate temples to house them.
"Let's suppose that you want to say, "I am a jerk." IN the 18th century, you would have to go around person to person and utter the phrase individually to each one of them. However, here in the third millennium, with our advances in telephone communication, it is possible to say "I am a jerk" to a thousand people at a time by forgetting to turn off your cell phone and having it ring during a performance of Death of a Salesman."
The Matisse seemed to respond to the decreasing light by increasing its own wattage. Every object in the room was drained of color, but the Matisse stood firm in the de-escalating illumination, its beauty turning functionality inside out, making itself a more practical and useful presence than anything else in sight.
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As she sits in a booth, it never occurs to her to observe herself, and thus she is spared the image of a girl sitting alone in a bar on Saturday night. A girl who is willing to give every ounce of herself to someone, who could never betray her lover, who never suspects maliciousness of anyone, and whose sexuality sleeps within her, waiting to be stirred. .... She keeps working to make connections, but the pile of near misses is starting to overwhelm her. What Mirabelle needs is some omniscient voice to illuminate and spotlight her, and to inform everyone that this one has value, this one over here, the one sitting in the bar by herself, and then to find her counterpart and bring him to her.
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In spite of her depression, Mirabelle likes to think of herself as humourous. She can, when the occasion calls, become a wisecracker and buoyant party girl. This mood, Mirabelle thinks, sometimes makes her the centre of attention at parties and gatherings. The truth is that these episodes of gaiety merely raise her to normal, but for Mirabelle the feeling is so exceptional that she believes herself to be standing out.