American author, historian and broadcaster (1912-2008)
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It’s very important you learn people as people are. Anybody can go around and write a book about a person, but that book doesn’t always tell you that person really. At that particular moment when you are talkin’ to that person, maybe that’s how that person were. Tomorrow they can be different people.
Everyone was emotionally affected. We developed a fear of the future which was very difficult to overcome. Even though I eventually went into some fairly good jobs, there was still this constant dread: everything would be cut out from under you and you wouldn’t know what to do. It would be even harder, because you were older. .
I invented the phrase: “Music not to be listened to.” That was my commercial phrase with which I sold Muzak. It was the first music deliberately created to which people were not supposed to listen. It was a new kind of background music. That’s why my mother, who was a fine musician, held it in contempt. She wouldn’t have it in her apartment. Anybody who knows anything about music holds Muzak in contempt.
In all epochs, there were at first doubts and the fear of stepping forth and speaking out, but the attribute that spurred the warriors on was hope. And the act. Seldom was there a despair or a sense of hopelessness. Some of those on the sidelines, the spectators, feeling helpless and impotent, had by the very nature of the passionate act of others become imbued with hope themselves.
The strike of 1931 revolved around readers in the factory. The workers themselves used to pay twenty-five to fifty cents a week and would hire a man to read to them during work. A cigar factory is one enormous open area, with tables at which people work. A platform would be erected, so that he’d look down at the cigar makers as he read to them some four hours a day. He would read from newspapers and magazines and a book would be read as a serial. The choice of the book was democratically decided. Some of the readers were marvelous natural actors. They wouldn’t just read a book. They’d act out the scenes. Consequently, many cigar makers, who were illiterate, knew the novels of Zola and Dickens and Cervantes and Tolstoy. And the works of the anarchist, Kropotkin. Among the newspapers read were The Daily Worker and the Socialist Call.
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