US-British poet (1888–1965)
Thomas Stearns Eliot (26 September 1888 – 4 January 1965) was an American-born English poet, dramatist and literary critic. Noted for spiritual and religious themes in many of his poems, he converted from Unitarianism to Anglicanism in 1927.
From: Wikiquote (CC BY-SA 4.0)
Birth Name:
Thomas Stearns Eliot
Alternative Names:
Eliot
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T S Eliot
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Thomas Eliot
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T.S. Eliot
From Wikidata (CC0)
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Reilly: The human condition...they may remember the vision they have had, but they cease to regret it, maintain themselves by the common routine, learn to avoid excessive expectation, Become tolerant of themselves and others, Giving and taking, in the usual actions what there is to give and take. They do not repine; Are contented with the morning that separates and with the evening that brings together for casual talk before the fire. Two people who know they do not understand each other, breeding children whom they do not understand and who will never understand them.
Celia: Is that the best life?
Reilly: It is a good life. Though you will not know how good until you come to the end. But you will want nothing else, and the other life will be only like a book you have read once, and lost. In a world of lunacy, violence, stupidity, greed...it is a good life.
The detective story, as created by Poe, is something as specialised and as intellectual as a chess problem, whereas the best English detective fiction has relied less on the beauty of the mathematical problem and much more on the intangible human element. [...] In The Moonstone the mystery is finally solved, not altogether by human ingenuity, but largely by accident. Since Collins, the best heroes of English detective fiction have been, like Sergeant Cuff, fallible.
Yet if the only form of tradition, of handing down, consisted in following the ways of the immediate generation before us in a blind or timid adherence to its successes, "tradition" should positively be discouraged. We have seen many such simple currents soon lost in the sand; and novelty is better than repetition. Tradition is a matter of much wider significance. It cannot be inherited, and if you want it you must obtain it by great labour. It involves, in the first place, the historical sense, which we may call nearly indispensable to anyone who would continue to be a poet beyond his twenty-fifth year...