Terence McKenna Quotes

It is a maxim of old that among themselves all things are common to friends.

Alcohol is used by millions of people, both men and women, and I will make no friends by taking the position that alcohol culture is not politically correct. Yet how can we explain the legal toleration for alcohol, the most destructive of all intoxicants, and the almost frenzied efforts to repress nearly all other drugs? Could it not be that we are willing to pay the terrible toll that alcohol extracts because it is allowing us to continue the repressive dominator style that keeps us all infantile and irresponsible participants in a dominator world characterized by the marketing of ungratified sexual fantasy?

The problem is not to find the answer, it's to face the answer

When you take into your life the gnosis of the light-filled vegetables, the psychedelic plants that have stabilized the sane societies of this world for millennia, the first message that comes to you is: You are a divine being. You matter. You count. You come from realms of unimaginable power and light, and you will return to those realms.

Nil est dictu facilius.

I'm not trying to sign people up to a creed. I'm much more interested in the people that disagree. These ideas are powerful, but this isn't mysticism in the ordinary sense, to be protected by mumblings about faith and all that. This is the real thing.

We have gone sick by following a path of untrammelled rationalism, male dominance, attention to the visible surface of things, practicality, bottom-line-ism. We have gone very, very sick. And the body politic, like any body, when it feels itself to be sick, it begins to produce antibodies, or strategies for overcoming the condition of dis-ease. And the 20th century is an enormous effort at self-healing. Phenomena as diverse as surrealism, body piercing, psychedelic drug use, sexual permissiveness, jazz, experimental dance, rave culture, tattooing, the list is endless. What do all these things have in common? They represent various styles of rejection of linear values. The society is trying to cure itself by an archaic revival, by a reversion to archaic values. So when I see people manifesting sexual ambiguity, or scarifying themselves, or showing a lot of flesh, or dancing to syncopated music, or getting loaded, or violating ordinary canons of sexual behaviour, I applaud all of this; because it's an impulse to return to what is felt by the body — what is authentic, what is archaic — and when you tease apart these archaic impulses, at the very centre of all these impulses is the desire to return to a world of magical empowerment of feeling.

And at the centre of that impulse is the shaman: stoned, intoxicated on plants, speaking with the spirit helpers, dancing in the moonlight, and vivifying and invoking a world of conscious, living mystery. That's what the world is. The world is not an unsolved problem for scientists or sociologists. The world is a living mystery: our birth, our death, our being in the moment — these are mysteries. They are doorways opening on to unimaginable vistas of self-exploration, empowerment and hope for the human enterprise. And our culture has killed that, taken it away from us, made us consumers of shoddy products and shoddier ideals. We have to get away from that; and the way to get away from it is by a return to the authentic experience

We are caged by our cultural programming. Culture is a mass hallucination, and when you step outside the mass hallucination, you see it for what it's worth.

The psychedelic community has not yet recognized or named itself as a community. We are well behind gays and black people and all those other minorities … we are still trying to figure out if we are a community. And if we are a community, and we have a domain of action, I think where it lies—it's not that we are all supposed to become dope dealers, it's that we are all supposed to become artists; that the transformation of culture through art is the proper understanding of what you can do with psychedelics besides blow your own mind. And I really think, you know, what we need to do is put the art-pedal to the floor, and understand that this is art—we are involved in some kind of enormous piece of performance art called Western civilization, and, you know, it's been a C-minus performance so far … and they are just about to reach out with the hook and drag us offstage, unless we begin pulling rabbits out of the hat pretty furiously.

The spiritual atrophying of contemporary culture may be due in large measure to its loss of sensitivity to processes in the collective unconscious.

The real truth, that dare not speak itself, is that no one is in control. Absolutely no one.

What blinds us, or what makes historical progress very difficult, is our lack of awareness of our ignorance. And [I think] that beliefs should be put aside, and that a psychedelic society would abandon belief systems [in favor of] direct experience, and this is, I think, much of the problem of the modern dilemma, which is that direct experience has been discounted, and in its place, all kind of belief systems have been erected. … If you believe something, you're automatically precluded from believing in the opposite, which means that a degree of your human freedom has been forfeited in the act of this belief.

Many a time a man cannot be such as he would be, if circumstances do not admit of it.

I’ll try to be around and about. But if I’m not, then you know that I’m behind your eyelids, and I’ll meet you there

Jupiter, now assuredly is the time when I could readily consent to be slain, lest life should sully this ecstasy with some disaster.