In a world that has been thoroughly permeated by the structures of the social order, a world that so overpowers every individual that scarcely any option remains but to accept it on its own terms, such naiveté reproduces itself incessantly and disastrously. What people have forced upon them by a boundless apparatus, which they themselves constitute and which they are locked into, virtually eliminates all natural elements and becomes “nature” to them.
German philosopher, sociologist and theorist (1903–1969)
Theodor Ludwig Wiesengrund Adorno (September 11, 1903 – August 6, 1969) was a German sociologist, philosopher, musicologist and composer.
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Native Name:
Theodor Ludwig Wiesengrund Adorno
Alternative Names:
Theodor Wiesengrund Adorno
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Theodor Wiesengrund-Adorno
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Theodor Wiesengrund
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Teodor V. Adorno
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Theodore W. Adorno
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Theodor Adorno
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Theodor Ludwig Wiesengrund-Adorno
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Theodor Ludwig Wiesengrund
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Theodor Ludwig Adorno-Wiesengrund
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Theodor Ludwig Adorno-Wellington
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Negative Dialektik ... handelt sich um den Entwurf einer Philosophie, die nicht den Begriff der Identität von Sein und Denken voraussetzt und auch nicht in ihm terminiert, sondern die gerade das Gegenteil, also das Auseinanderweisen von Begriff und Sache, von Subjekt und Objekt, und ihre Unversöhntheit, artikulieren will.
In the products of the culture industry human beings get into trouble only so that they can be rescued unharmed, usually by representatives of a benevolent collective; and then, in illusory harmony, they are reconciled with the general interest whose demands they had initially experienced as irreconcilable with their own.
The center of intellectual self-discipline as such is in the process of decomposition. The taboos that constitute a man's intellectual stature, often sedimented experiences and unarticulated insights, always operate against inner impulses that he has learned to condemn, but which are so strong that only an unquestioning and unquestioned authority can hold them in check. What is true of the instinctual life is no less of the intellectual: the painter or composer forbidding himself as trite this or that combination of colors or chords, the writer wincing at banal or pedantic verbal configurations, reacts so violently because layers of himself are drawn to them. Repudiation of the present cultural morass presupposes sufficient involvement in it to feel it itching in one's finger-tips, so to speak, but at the same time the strength, drawn from this involvement, to dismiss it. This strength, though manifesting itself as individual resistance, is by no means of a merely individual nature. In the intellectual conscience possessed of it, the social movement is no less present than the moral super-ego. Such conscience grows out of a conception of the good society and its citizens. If this conception dims—and who could still trust blindly in it—the downward urge of the intellect loses its inhibitions and all the detritus dumped in the individual by barbarous culture—half-learning, slackness, heavy familiarity, coarseness—comes to light. Usually it is rationalized as humanity, desire to be understood by others, worldly-wise responsibility. But the sacrifice of intellectual self-discipline comes much too easily to him who makes it for us to believe his assurance that it is one.
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