You please me much by saying that no other fault [in the portrait Gainsborough recently made and sent] is to be found in your picture than the roughness of the surface; for that part being of use in giving force to the effect at a proper distance.. ..I urn [earn?] much better pleased that they should spy out things of that kind than to see an eye half an inch out of its place or a nose out of drawing when view'd at a proper distance. I don't think it would be more ridiculous for a person to put his nose close to the canvas and say the colours smell offensive than to say how rough the paint lies; for one is just as material as the other with regard to hurting the effect and drawing of a picture. For Sir Godfrey Kneller used to tell them that pictures were not made to smell of..

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[I] Pray do you remember carrying me to a picture-dealer's somewhere by Hanover Square, [London], and my being struck with the leaving and touch of a little bit of tree[?]; the whole picture was not above 8 or 10 inches high and about a foot long. I wish if you had time that you'd inquire what it might be purchased for..

to Joshua Kirby, Esq. - to be left at the Turk's Head, Gerrard Street, St. Ann's, London - Mr. President and Gentlemen, Directors of the Society of Artists of Great Britain. I thank ye for the honor done me in appointing me one of your Directors, but for a particular reason I beg leave to resign, and am. Gentlemen, your most obliged and obedient Humble Servant.

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And here I give it under my hand that I will most willingly begin upon a new canvas [after his first portrait of Lady Dartmouth was criticized and rejected]. But I only for the present beg your Lordship will give me leave to try an experiment upon that picture to prove the amazing effect of dress. I meant to treat it as a cast-off picture and dress it (contrary, I know, to Lady Dartmouth's taste) in the modern way; the worst consequence that can attend it will be her ladyship's being angry with me for a time. I am vastly out in my notion if the face does not immediately look like; but I must know if Lady Dartmouth powders or not in common. I only beg to know that and to have the [first] picture sent down [back] to me..

I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps ; and when we meet you shall hear me play extempore.. [his friend William Jackson of Exeter was composer and organist]

damn gentlemen, there is not such a set of enemies to a real artist in the world as they are, if not kept at a proper distance.. ..They think (and so may you for a while) that they reward your merit by their Company and notice.. ..if they don't stand clear, know that they have but one part worth looking at, and that is their Purse; their Hearts are seldom near enough the right place to get a sight of it..

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By God you are the only great man, except George Pitt, that I care a farthing for, or would wear out a pair of shoes in seeking after. Long-headed cunning people and rich fools are so plentiful in our country that I don’t fear getting now and then a face to paint for bread, but a man of genius with truth and simplicity, sense and good nature, I think worth his weight in gold - [signed:] 'Your Likeness Man'