We did not make ourselves, nor did we fashion a world that could not work without pain, and great pain at that, with a little pleasure, very little, to string us along--a world where all organisms are inexorably pushed by pain throughout their lives to do that which will improve their chances to survive and create more of themselves. Left unchecked, this process will last as long as a single cell remains palpitating in this cesspool of the solar system, this toilet of the galaxy. So why not lend a hand in nature's suicide? For want of a deity that could be held to account for a world in which there is terrible pain, let nature take the blame for our troubles. We did not create an environment uncongenial to our species, nature did. One would think that nature was trying to kill us off, or get us to suicide ourselves once the blunder of consciousness came upon us. What was nature thinking? We tried to anthropomorphize it, to romanticize it, to let it into our hearts. But nature kept its distance, leaving us to our own devices. So be it. Survival is a two-way street. Once we settle ourselves off-world, we can blow up this planet from outer space. It's the only way to be sure its stench will not follow us. Let it save itself if it can--the condemned are known for the acrobatics they will execute to wriggle out of their sentences. But if it cannot destroy what it has made, and what could possibly unmake it, then may it perish along with every other living thing it has introduced to pain.
American horror author
Thomas Ligotti (born 9 July 1953) is a contemporary American horror author and reclusive literary cult figure. His writings, while unique in style, have been noted as major continuations of several literary genres – most prominently Lovecraftian horror – and have overall been described as works of "philosophical horror," often written as short stories and novellas with a "darker" undertone which is similar to gothic fiction.
In his first non-fiction work, The Conspiracy Against the Human Race (2010), Ligotti elaborates on concepts such as philosophical pessimism and antinatalism, which he suggests influenced his writings.
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Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.
I know in a way I never knew before that there is nowhere for me to go, nothing for me to do, and no one for me to know. The voice in my head keeps reciting these old principles of mine. The voice is his voice, and the voice is also my voice. And there are other voices, voices I have never heard before, voices that seem to be either dead or dying in a great moonlit darkness. More than ever, some sort of new arrangement seems in order, some dramatic and unknown arrangement -- anything to find release from this heartbreaking sadness I suffer every minute of the day (and night), this killing sadness that feels as if it will never leave me no matter where I go or what I do or whom I may ever know.
The birthrights we toss about are all lies fabricated to a purpose, as any student of humanity can verify. For those who have given thought to this matter, the only rights we may exercise are these: to seek the survival of our individual bodies, to create more bodies like our own, and to perish from corruption or mortal trauma. This is presuming that one has been brought to term and has made it to the age of being reproductively ready, neither being a natural birthright. Stringently considered, then, our only natural birthright is a right to die. No other right has ever been allocated to anyone except as a fabrication, whether in modern times or days past.
As a survival-happy species, our successes are calculated in the number of years we have extended our lives, with the reduction of suffering being only incidental to this aim. To stay alive under almost any circumstances is a sickness with us. Nothing could be more unhealthy than to “watch one’s health” as a means of stalling death. The lengths we will go as procrastinators of that last gasp only demonstrate a morbid dread of that event. By contrast, our fear of suffering is deficient.
Your own death, or the death of your near and dear ones, is not something you can experience. What you actually experience is the void created by the disappearance of another individual, and the unsatisfied demand to maintain the continuity of your relationship with that person for a nonexistent eternity. The arena for the continuation of all these “permanent” relationships is the tomorrow—heaven, next life, and so on. These things are the inventions of a mind interested only in its undisturbed, permanent continuity in a “self”-generated, fictitious future. The basic method of maintaining the continuity is the repetition of the question, “How? How? How?” “How am I to live? How can I be happy? How can I be sure I will be happy tomorrow?” This has made life an insoluble dilemma for us. We want to know, and through that knowledge we hope to continue on with our miserable existences forever.
One cringes to hear scientists cooing over the universe or any part thereof like schoolgirls over-heated by their first crush. From the studies of Krafft-Ebbing onward, we know that it is possible to become excited about anything—from shins to shoehorns. But it would be nice if just one of these gushing eggheads would step back and, as a concession to objectivity, speak the truth: THERE IS NOTHING INNATELY IMPRESSIVE ABOUT THE UNIVERSE OR ANYTHING IN IT.
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For the rest of the earth’s organisms, existence is relatively uncomplicated. Their lives are about three things: survival, reproduction, death—and nothing else. But we know too much to content ourselves with surviving, reproducing, dying—and nothing else. We know we are alive and know we will die. We also know we will suffer during our lives before suffering—slowly or quickly—as we draw near to death. This is the knowledge we “enjoy” as the most intelligent organisms to gush from the womb of nature. And being so, we feel shortchanged if there is nothing else for us than to survive, reproduce, and die. We want there to be more to it than that, or to think there is. This is the tragedy: Consciousness has forced us into the paradoxical position of striving to be unself-conscious of what we are— hunks of spoiling flesh on disintegrating bones.
God’s plan to suicide himself could not work, though, as long as He existed as a unified entity outside of space-time and matter. Seeking to nullify His oneness so that He could be delivered into nothingness, he shattered Himself—Big Bang-like—into the time-bound fragments of the universe, that is, all those objects and organisms that have been accumulating here and there for billions of years. In Mainländer’s philosophy, “God knew that he could change from a state of super-reality into non-being only through the development of a real world of multiformity.” Employing this strategy, He excluded Himself from being. “God is dead,” wrote Mainländer, “and His death was the life of the world.” Once the great individuation had been initiated, the momentum of its creator’s self-annihilation would continue until everything became exhausted by its own existence, which for human beings meant that the faster they learned that happiness was not as good as they thought it would be, the happier they would be to die out.
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Should you conclude that life is objectionable or that nothing matters—do not waste our time with your nonsense. We are on our way to the future, and the philosophically disheartening or the emotionally impaired are not going to hinder our progress. If you cannot say something positive, or at least equivocal, keep it to yourself. Pessimists and depressives need not apply for a position in the enterprise of life. You have two choices: Start thinking the way God and your society want you to think or be forsaken by all. The decision is yours, since you are a free agent who can choose to rejoin our fabricated world or stubbornly insist on . . . what? That we should mollycoddle non-positive thinkers like you or rethink how the whole world transacts its business? That we should start over from scratch? Or that we should go extinct? Try to be realistic. We did the best we could with the tools we had. After all, we are only human, as we like to say. Our world may not be in accord with nature's way, but it did develop organically according to our consciousness, which delivered us to a lofty prominence over the Creation. The whole thing just took on a life of its own, and nothing is going to stop it anytime soon. There can be no starting over and no going back. No major readjustments are up for a vote. And no melancholic head-case is going to bad-mouth our catastrophe. The universe was created by the Creator, damn it. We live in a country we love and that loves us back. We have families and friends and jobs that make it all worthwhile. We are some bodies, not a bunch of nobodies without names or numbers or retirement plans. None of this is going to be overhauled by a thought criminal who contends that the world is not doubleplusgood and never will be. Our lives may not be unflawed—that would deny us a better future to work toward—but if this charade is good enough for us, then it should be good enough for you. So if you cannot get your mind right, try walking away. You will find no place to go and no one who will have you. You will find only the same old trap the world over. Lighten up or leave us alone. You will never get us to give up our hopes. You will never get us to wake up from our dreams. We are not contradictory beings whose continuance only worsens our plight as mutants who embody the contorted logic of a paradox. Such opinions will not be accredited by institutions of authority or by the middling run of humanity. To lay it on the line, whatever thoughts may enter your chemically imbalanced brain are invalid, inauthentic, or whatever dismissive term we care to hang on you, who are only "one of those people." So start pretending that you feel good enough for long enough, stop your complaining, and get back in line. If you are not as strong as Samson—that no-good suicide and slaughterer of Philistines—then get loaded to the gills and return to the trap. Keep your medicine cabinet and your liquor cabinet well stocked, just like the rest of us. Come on and join the party. No pessimists or depressives invited. Do you think we are morons? We know all about those complaints of yours. The only difference is that we have sense enough and feel good enough for long enough not to speak of them. Keep your powder dry and your brains blocked. Our shibboleth: "Up the Conspiracy and down with Consciousness."