Thomas Pynchon Quotes

These times are unfriendly toward Worlds alternative to this one

"A schlemihl is a schlemihl. What can you "make" out of one? What can one make out of himself? You reach a point, and Profane knew he had reached it, where you know how much you can and cannot do. But every now and again he got attacks of acute optimism."

"It would all be done with keys on alphanumeric keyboards that stood for weightless, invisible chains of electronic presence or absence. If patterns of ones and zeroes were "like" patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths? It would have to be up one level, at least — an angel, a minor god, something in a UFO. It would take eight human lives and deaths just to form one character in this being's name — its complete dossier might take up a considerable piece of history of the world. We are digits in God's computer, she not so much thought as hummed to herself to sort of a standard gospel tune, And the only thing we're good for, to be dead or to be living, is the only thing He sees. What we cry, what we contend for, in our world of toil and blood, it all lies beneath the notice of the hacker we call God."

"Poetry is not communication with angels or with the "subconscious." It is communication with the guts, genitals, and five portals of sense. Nothing more."

Laboring through a world every day more stultified, which expected salvation in codes and governments, ever more willing to settle for suburban narratives and diminished payoffs — what were the chances of finding anyone else seeking to transcend that, and not even particularly aware of it?

Merle's all-night illumination prolonged itself into an inescapable glow that began to keep him awake.

But a few choosing to venture deeper into the painful corridors of their affliction, found after a while that they could now grind and polish ever more exotic surfaces, hyperboloidial and even stranger, eventually including what we must term ‘imaginary’ shapes (which some preferred to term invisible).

Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.

There is nothing so loathsome as a sentimental surrealist.

[...] times of great idealism carry equal chances for great corruptibility.

What’s this? What are the antagonists doing here – infiltrating their own audience? Well, they’re not really. It’s somebody else’s audience at the moment, and these nightly spectacles are an appreciable part of the darkside hours of life of the rocket capital. The chances for any paradox here, really, are less than you think.

For me, Shambhala, you see, turned out to be not a goal but an absence. Not the discovery of a place but the act of leaving the futureless place where I was. And in the process I arrived at Constantinople.

Next worst thing to unrequited Love, isn't it? Insufficient hate.

If there is any political moral to be found in this world,” Stencil once wrote in his journal, “it is that we carry on the business of this century with an intolerable double vision. Right and Left; the hothouse and the street. The Right can only live and work hermetically, in the hothouses of the past, while outside the Left prosecute their affairs in the streets by manipulated mob violence. And cannot live but in the dreamscape of the future.
“What of the real present, the men-of-no-politics, the once-respectable Golden Mean? Obsolete; in any case, lost sight of. In a West of such extremes we can expect, at the very least, a highly ‘alienated’ populace within not many more years.

She may know a little, may think of herself, face and body, as ‘pretty’… but he could never tell her all the rest, how many other living things, birds, nights smelling of grass and rain, sunlit moments of simple peace, also gather in what she is to him.