Thomas Pynchon Quotes

Street cred. Anybody who got in before ’97 is considered OK – from ’97 to 2000 it can go either way, maybe they’re not not always cool, but usually they’re not quite the kind of full-service dickhead you’re seeing in the business now.”
“He’s considered cool?”
“No, he’s a dickhead, but one of the early ones. A pioneer dickhead.

"To rule forever," continues the Chinaman, later, "it is necessary only to create, among the people one would rule, what we call...Bad History. Nothing will produce Bad History more directly nor brutally, than drawing a Line, in particular a Right Line, the very Shape of Contempt, through the midst of a People, — to create thus a Distinction betwixt 'em, — 'tis the first stroke. — All else will follow as if predestin'd, unto War and Devastation."

San Narciso lay further south, near L.A. Like many named places in California it was less an identifiable city than a grouping of concepts — census tracts, special purpose bond-issue districts, shopping nuclei, all overlaid with access roads to its own freeway.

Men had it so simple. When it wasn't about Sticking It In, it was about Having The Gun, a variation that allowed them to Stick It In from a distance.

To those of us who survived [...], it also means that we have learned to stand outside our history and watch it, without feeling too much. A little schizoid.

It was as if she had just discovered the irreversible process. It astonished her to think that so much could be lost, even the quantity of hallucination belonging just to the sailor that the world would bear no further trace of. She knew, because she had held him, that he suffered DT’s. Behind the initials was a metaphor, a delirium tremens, a trembling unfurrowing of the mind’s plowshare. The saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor then was a thrust at truth and a lie, depending where you were: inside, safe, or outside, lost. Oedipa did not know where she was. Trembling, unfurrowed, she slipped sidewise, screeching back across grooves of years, to hear again the earnest, high voice of her second or third collegiate love Ray Glozing bitching among “uhs” and the syncopated tonguing of a cavity, about his freshman calculus; “dt,” God help this old tattooed man, meant also a time differential, a vanishingly small instant in which change had to be confronted at last for what it was, where it could no longer disguise itself as something innocuous like an average rate; where velocity dwelled in the projectile though the projectile be frozen in midflight, where death dwelled in the cell though the cell be looked in on at its most quick. She knew that the sailor had seen worlds no other man had seen if only because there was that high magic to low puns, because DT’s must give access to dt’s of spectra beyond the known sun, music made purely of Antarctic loneliness and fright. But nothing she knew of would preserve them, or him.

...film and calculus, both pornographies of flight.

I haven’t sold my soul yet — well, maybe a couple bars of rhythm and blues here and there,

A market need no longer be run by the Invisible Hand, but now could create itself-its own logic, momentum, style, from inside. Putting the control inside was ratifying what de facto had happened-that you had dispensed with God. But you had taken on a greater, and more harmful, illusion. The illusion of control. That A could do B. But that was false. Completely. No one can do. Things only happen, A and B are unreal, are names for parts that ought to be inseparable...

One summer afternoon Mrs Oedipa Maas came home from a Tupperware party whose hostess had put perhaps too much kirsch in the fondue to find that she, Oedipa, had been named executor, or she supposed executrix, of the estate of one Pierce Inverarity, a California real estate mogul who had once lost two million dollars in his spare time but still had assets numerous and tangled enough to make the job of sorting it all out more than honorary.

Temporal bandwidth” is the width of your present, your now. It is the familiar “Δt” considered as a dependent variable. The more you dwell in the past and in the future, the thicker your bandwidth, the more solid your persona. But the narrower your sense of Now, the more tenuous you are. It may get to where you’re having trouble remembering what you were doing five minutes ago, or even — as Slothrop now — what you’re doing here,

"if you think you see no slaves in pennsylvania," replies capt. zhang, his face as smooth as suet, "why, look again. they are not all african, nor do some of them even yet know, — may never know, — that they are slaves. slavery is very old upon these shores, — there is no innocence upon the practice anywhere, neither among the indians nor the spanish nor in the behavior of the rest of christendom, if it come to that."

But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.

What is most appealing about young folks, after all, is the changes, not the still photograph of finished character but the movie, the soul in flux.

Well, and keep in mind where those Masonic Mysteries came from in the first place. (Check out Ishmael Reed. He knows more about it than you’ll ever find here.)