Shit now is the color white folks are afraid of. Shit is the presence of death, not some abstract-arty character with a scythe but the stiff and rotting corpse inside the whiteman’s warm and private own asshole, which is getting pretty intimate. That’s what the toilet is for. You see many brown toilets? Nope, toilet’s the color of gravestones, classical columns of mausoleums, that white emblems the very emblem of Odorless and Official death.

The magic in these Masonic rituals is very, very old. And way back in those days, it worked. As time went on, and it started being used for spectacle, to consolidate what were only secular appearances of power, it began to lose its zip. But the words, moves, and machinery have been more or less faithfully carried down over the millennia, through the grim rationalizing of the World, and so the magic is still there, though latent, needing only to touch the right sensitive head to reassert itself.

It was not an act of treason, nor possibly even of defiance. But it was a calculated withdrawal, from the life of the Republic, from its machinery. Whatever else was being denied them out of hate, indifference to the power of their vote, loopholes, simple ignorance, this withdrawal was their own, unpublicized, private. Since they could not have withdrawn into a vacuum (could they?), there had to exist the separate, silent, unsuspected world.

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The Doper's Dream

Last night I dreamed I was plugged right in
To a bubblin' hookah so high,
When all of a sudden some Arab jinni
Jump up just a-winkin' his eye.
'I'm here to obey all your wishes,' he told me.
As for words I was trying to grope.
'Good buddy,' I cried, 'you could surely oblige me
By turning me on to some dope!'
With a bigfat smile he took ahold of my hand,
And we flew down the sky in a flash,
And the first thing I saw in the land where he took me
Was a whole solid mountain of hash!
All the trees was a-bloomin' with pink 'n' purple pills,
Whur the Romilar River flowed by,
To the magic mushrooms as wild as a rainbow,
So pretty that I wanted to cry.
All the girls come to greet us, so sweet in slow motion,
Mourning glories woven into their hair,
Bringin' great big handfuls of snowy cocaine,
All their dope they were eager to share.
We we dallied for days, just a-ballin' and smokin',
In the flowering Panama Red,
Just piggin' on peyote and nutmeg tea,
And those brownies so kind to your head.
Now I could've passed that good time forever,
And I really was fixing to stay,
But you know that jinni turned out, t'be a narco man,
And he busted me right whur I lay.
And he took me back to a cold, cold world
'N' now m'prison's whurever I be...
And I dream of the days back in Doperland
And I wonder, will I ever go free?

Proverbs for Paranoids:

1. You may never get to touch the Master, but you can tickle his creatures.
2. The innocence of the creatures is in inverse proportion to the immorality of the Master.
3. If they can get you asking the wrong questions, they don't have to worry about answers.
4. You hide, they seek.
5. Paranoids are not paranoid because they're paranoid, but because they keep putting themselves, fucking idiots, deliberately into paranoid situations.

Remember, God didn't say, 'I'm gonna make light now,' he said, 'Let there be light.' His first act was to allow light in to what had been Nothing. Like God, you also have to always work with the light, make it do only what you want it to do.

Holy shit.” This is the kind of sunset you hardly see any more, a 19th-century wilderness sunset, a few of which got set down, approximated, on canvas, landscapes of the American West by artists nobody ever heard of, when the land was still free and the eye innocent, and the presence of the Creator much more direct. Here it thunders now over the Mediterranean, high and lonely, this anachronism in primal red, in yellow purer that can be found anywhere today, a purity begging to be polluted…of course Empire took its way westward, what other way was there but into those virgin sunsets to penetrate and to foul?

"Whenever I put the headset on now," he'd continued, "I really do understand what I find there. When those kids sing about 'She loves you,' yeah well, you know, she does, she's any number of people, all over the world, back through time, different colors, sizes, ages, shapes, distances from death, but she loves. And the 'you' is everybody. And herself. Oedipa, the human voice, you know, it's a flipping miracle." His eyes brimming, reflecting the color of beer.
"Baby," she said, helpless, knowing of nothing she could do for this, and afraid for him.
He put a little clear plastic bottle on the table between them. She stared at the pills in it, and then understood. "That's LSD?"

He was visited on a lunar basis by these great unspecific waves of horniness, whereby all women within a certain age group and figure envelope became immediately and impossibly desirable. He emerged from these spells with eyeballs still oscillating and a wish that his neck could rotate through the full 360 degrees.

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If there is any political moral to be found in this world,” Stencil once wrote in his journal, “it is that we carry on the business of this century with an intolerable double vision. Right and Left; the hothouse and the street. The Right can only live and work hermetically, in the hothouses of the past, while outside the Left prosecute their affairs in the streets by manipulated mob violence. And cannot live but in the dreamscape of the future.
“What of the real present, the men-of-no-politics, the once-respectable Golden Mean? Obsolete; in any case, lost sight of. In a West of such extremes we can expect, at the very least, a highly ‘alienated’ populace within not many more years.

"If patterns of ones and zeroes were "like" patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths?"