English poet and soldier (1893-1918)
Wilfred Edward Salter Owen (18 March 1893 – 4 November 1918) was a British poet and soldier. Regarded by many as the leading poet of the First World War, he was killed 7 days before it ended.
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"O Life, Life, let me breathe, — a dug-out rat! Not worse than ours the existences rats lead — Nosing along at night down some safe vat, They find a shell-proof home before they rot. Dead men may envy living mites in cheese, Or good germs even. Microbes have their joys, And subdivide, and never come to death, Certainly flowers have the easiest time on earth. "I shall be one with nature, herb, and stone." Shelley would tell me. Shelley would be stunned; The dullest Tommy hugs that fancy now. "Pushing up daisies," is their creed, you know. To grain, then, go my fat, to buds my sap, For all the usefulness there is in soap. D'you think the Boche will ever stew man-soup?"
What passing-bells for these who die as cattle?
— Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs, —
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
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"Apologia Pro Poemate Meo"
I, too, saw God through mud — The mud that cracked on cheeks when wretches smiled.
War brought more glory to their eyes than blood,
And gave their laughs more glee than shakes a child.
Merry it was to laugh there — Where death becomes absurd and life absurder.
For power was on us as we slashed bones bare
Not to feel sickness or remorse of murder.
I, too, have dropped off fear — Behind the barrage, dead as my platoon,
And sailed my spirit surging, light and clear
Past the entanglement where hopes lay strewn;
And witnessed exultation — Faces that used to curse me, scowl for scowl,
Shine and lift up with passion of oblation,
Seraphic for an hour; though they were foul.
I have made fellowships — Untold of happy lovers in old song.
For love is not the binding of fair lips
With the soft silk of eyes that look and long,
But Joy, whose ribbon slips, — But wound with war’s hard wire whose stakes are strong;
Bound with the bandage of the arm that drips;
Knit in the welding of the rifle-thong.
I have perceived much beauty
In the hoarse oaths that kept our courage straight;
Heard music in the silentness of duty;
Found peace where shell-storms spouted reddest spate.
Nevertheless, except you share
With them in hell the sorrowful dark of hell,
Whose world is but the trembling of a flare,
And heaven but as the highway for a shell,
You shall not hear their mirth:
You shall not come to think them well content
By any jest of mine. These men are worth
Your tears: You are not worth their merriment.
Dulce Et Decorum Est
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.
GAS! Gas! Quick, boys! — An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime. — Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues, — My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
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Though unseen Poets, many and many a time,
Have answered me as if they knew my woe,
And it might seem have fashioned so their rime
To be my own soul's cry; easing the flow
Of my dumb tears with language sweet as sobs,
Yet are there days when all these hoards of thought
Hold nothing for me. Not one verse that throbs
Throbs with my heart, or as my brain is fraught.
'Tis then I voice mine own weird reveries:
Low croonings of a motherless child, in gloom
Singing his frightened self to sleep, are these.
One night, if thou shouldst lie in this Sick Room,
Dreading the Dark thou darest not illume,
Listen; my voice may haply lend thee ease.
"The Chances"
"I mind as ’ow the night afore that show
Us five got talking, — we was in the know,
“Over the top to-morrer; boys, we’re for it,
First wave we are, first ruddy wave; that’s tore it.”
“Ah well,” says Jimmy, — an’ ’e’s seen some scrappin’ — “There ain’t more nor five things as can ’appen;
Ye get knocked out; else wounded — bad or cushy;
Scuppered; or nowt except yer feeling mushy.”
One of us got the knock-out, blown to chops.
T’other was hurt, like, losin’ both ’is props.
An’ one, to use the word of ’ypocrites,
‘Ad the misfortoon to be took by Fritz.
Now me, I wasn’t scratched, praise God Almighty
(Though next time please I’ll thank ’im for a blighty),
But poor young Jim, ’e’s livin’ an’ ’e’s not;
’E reckoned ’e’d five chances, an’ ’e’s ’ad;
’E’s wounded, killed, and pris’ner, all the lot — The ruddy lot all rolled in one. Jim’s mad."