British novelist (1811–1863)
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The best of women (I have heard my grandmother say) are hypocrites. We don't know how much they hide from us: how watchful they are when they seem most artless and confidential: how often those frank smiles, which they wear so easily, are traps to cajole or elude or disarm-I don't mean in your mere coquettes, but your domestic models, and paragons of female virtue. Who has not seem a woman hide the dulness of a stupid husband or coax the fury of a savage one? We accept this amiable slavishness, and praise a woman for it; we call this pretty treachery truth. A good housewife is of necessity a humbug.
I suppose as long as novels last and authors aim at interesting their public, there must always be in the story a virtuous and gallant hero, a wicked monster his opposite, and a pretty girl who finds a champion; bravery and virtue conquer beauty: and vice, after seeming to triumph through a certain number of pages, is sure to be discomfited in the last volume, when justice overtakes him and honest folks come by their own.
By humbly and frankly acknowledging yourself to be in the wrong, there is no knowing, my son, what good you may do. I knew once a gentleman and very worthy practitioner in Vanity Fair, who used to do little wrongs to his neighbours on purpose, and in order to apologise for them in an open and manly way afterwards — and what ensued? My friend Crocky Doyle was liked everywhere, and deemed to be rather impetuous — but the honestest fellow.
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