British novelist (1811–1863)
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And as a general rule, which may make all creditors who are inclined to be severe pretty comfortable in their minds, no men embarrassed are altogether honest, very likely. They conceal something; they exaggerate chances of good luck; hide away the reals state of affairs; say that things are flourishing when they are hopeless; keep a smiling face (a dreary smile it is) upon the verge of bankruptcy — are ready to lay hold of any pretext for delay, or of any money, so as to stave off the inevitable ruin a few days longer.
As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing to do but to link each other’s arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.
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