United States Marine, novelist, short story writer (1893–1954)
William March (18 September 1893 – 15 May 1954), born William Edward Campbell, was an American soldier and author, most famous for his novels The Bad Seed and Company K. His innovative writing style is characterized by a deep compassion and understanding of suffering. A champion of the poor and disadvantaged, March often presents characters who, through no fault of their own, are victims of chance. He argues that true freedom is only obtained by being true to one's nature and humanity.
From: Wikiquote (CC BY-SA 4.0)
You can always tell an old battlefield where many men have lost their lives. The next Spring the grass comes up greener and more luxuriant than on the surrounding countryside; the poppies are redder, the corn-flowers more blue. They grow over the field and down the sides of the shell holes and lean, almost touching, across the abandoned trenches in a mass of color that ripples all day in the direction that the wind blows. They take the pits and scars out of the torn land and make it a sweet, sloping surface again. Take a wood, now, or a ravine: In a year's time you could never guess the things which had taken place there. I repeated my thoughts to my wife, but she said it was not difficult to understand about battlefields: The blood of the men killed on the field, and the bodies buried there, fertilize the ground and stimulate the growth of vegetation. That was all quite natural she said. But I could not agree with this, too-simple, explanation: To me it has always seemed that God is so sickened with men, and their unending cruelty to each other, that he covers the places where they have been as quickly as possible.
I saw much during my thirty years as a professional soldier, and I have watched the reactions of many men to pain, hunger and death, but all I have learned is that no two men react alike, and that no one man comes through the experience unchanged. I have never ceased to wonder at the thing we call human nature, with its times of beauty and its times of filthiness, or at the level of calm stupidity that lies in between the two. I have no theories and no remedies to offer.
People are born in sorrow and move about the earth in patterns of sorrow without sense and without plan. Why should I take myself so seriously? I am no more important to the Creator than the trees or the vegetation which live with me on His earth. There is no eye to watch over me nor a hand to direct me, and there will be no preferred fate for me at the end, no matter what I am, or what I do with my life.
The time comes in the life of each of us when we realize that death awaits us as it awaits others, that we will receive at the end neither preference nor exemption. It is then, in that disturbed moment, that we know life is an adventure with an ending, not a succession of bright days that go on forever. Sometimes the knowledge comes with the repudiation and quick revolt that such injustice awaits us, sometimes with fear that dries the mouth and closes the eyes for an instant, sometimes with servile weariness, an acquiescence more dreadful than fear. The knowledge that my own end was near came with pain, and afterwards astonishment, with the conventional heart attack, from which, I've been told, I've made an excellent recovery.