William T. Vollmann Quotes

But I don't think a river wants anything, except to be itself. Just like anybody and anything. I don't think it claimed a soul. I don't think it's at all vindictive or vicious, just itself. It just seemed very honest. If you hear a river moan, you know it has life.

It is a fine luxury to trust oneself to a friend’s strengths and help him in his weaknesses, all without negotiations or resentments.

He was really quite addicted to her face, and yet for the longest time he could not remember it at all, it being so much brighter than sunlight on a pool of water that he could only recall that blinding brightness; then after awhile, since she refused to give him her photograph, he began to practice looking away for a moment when he was still with her, striving to uphold in his inner vision what he had just seen (her pale, serious, smooth and slender face, oh, her dark hair, her dark hair), so that after immense effort he began to retain something of her likeness although the likeness was necessarily softened by his fallibility into a grainy, washed-out photograph of some bygone court beauty, the hair a solid mass of black except for parallel streaks of sunlight as distinct as the tines of a comb, the hand-tinted costume sweetly faded, the eyes looking sadly, gently through him, the entire image cob-webbed by a sheet of semitranslucent Thai paper whose white fibers twisted in the lacquered space between her and him like gorgeous worms; in other words, she remained eternally elsewhere.

So many revolutionaries are intellectuals, a class of people whose aspirations tend to run ahead of their capabilities.

This is my final book. Any subsequent productions bearing my name will have been composed by a ghost.

"Rising up, rising down! History shambles on! What are we left with? A few half-shattered Greek stelae; Trotsky's eyeglasses; Gandhi's native-spun cloth, Cortes' pieces of solid gold (extorted from their original owner, Montezuma); a little heap of orange peels left on the table by the late Robespierre; John Brown's lengthily underlined letters; Lenin's bottles of invisible ink; one of Di Giovanni's suitcases, with an iron cylinder of gelignite and two glass tubes of acid inside; the Constitution of the Ku Klux Klan; a bruised ear (Napoleon pinched it with loving condescension)... And dead bodies, of course. (They sing about John Brown's body.) Memoirs, manifestoes, civil codes, trial proceedings, photographs, statues, weapons now aestheticized by that selfsame history - the sword of Frederick the Great, and God knows what else. Then dust blows out of fresh graves, and the orange peels go grey, sink, wither, rot away. Sooner or later, every murder becomes quaint. Charlemagne hanged four and a half thousand "rebels" in a single day, but he has achieved a storybook benevolence. And that's only natural: historiography begins after the orange has been sucked,; the peeler believes in the "great and beautiful things," or wants to believe; easy for us to believe likewise, since dust reduced truth and counterfeit to the same greyness - caveat emptor. But ends remain fresh, and means remain inexplicable. Rising up and rising down! And whom shall I save, and who is my enemy, and who is my neighbor?"

The things you love too much perish” — After Shostakovich and Volkov, p. 78. The composer goes on: “You have to treat everything with irony, especially the things you hold dear.

So you cheat on your wife and you want me to give you a gold star for it, said Domino. Well, mister, I pity your wife and I don’t give a fuck about you. Now I’ve got to go outside for a minute and see a man about a dog. When I come back, if you want a flatback or a blow, you just lay down your money in my hand. But no more of your hypocritical bullshit. Who the hell do you think you are? You’re just a kid in the candy store that can’t decide which kind of liquorice he wants to stuff his face with. Now sit there and shut up.

We Communists say, if it has no practically measurable effect, it's not people's art!

Lecktrickery?” grinned the fool boys, rubbing their rabbits’ feet against the spell of these longest syllables in all Tarnation.

There was no one as good as he at using the ovens of logic to bake agreeable results.

But on Thursday only the committed regulars are there, and they do what they do on Thursday, delving into pagan rituals of worship to the amber gods that let you see to the lurching anger that spins you round and round at the center of things beyond lines and angles and the very floorboards become crazy under your feet so that the floor goes YAAAWW up again down again and suddenly tunk! it hits you on the forehead and your nose bleeds and you cling to it so that you don’t begin to slip down it and fetch up against the wall where you were dancing before with all the women in your life who have now vanished and left you alone here and the swaying candelabra are like careening galaxies burning into the back of your head; you don’t dare to roll over on your back and look straight into all those stars or you will be blinded; and from the cool floor and the smell of your own puke you gain more and more understanding of the universe.

At the time that he had seriously begun to consolidate his organization, Parker was working in a custom photo lab. The reader who is not much taken by audiovisual pastimes may have a deficient picture of that place where Parker was employed; or perhaps not so much a deficient picture — the dyes faded, shoddily spotted, brutishly burned in and doltishly dodged by subhuman technicians under the glare of the enlargers — as an image which had been misfiled in the archives of the memory, representing instead one of those bleak Photo Drive-Ups and Presto Printses located nowadays on the corner of almost every large parking lot, in which the clerks wait sadly behind their glass counters, but no one comes in, and the air becomes darker and darker over the course of the morning as a result of exhaust fumes (there goes another brain cell; ping! - THAT thought will never be completed now); and the pink chubby tots smiling at your from the walls in sample enlargements become steadily more grimy, and by the lunch break they are brown; and the day ticks off on the loud digital clock; and then finally a car creeps into the lot, and a popeyed couple locks that vehicle doors listlessly; they request a reprint of a washed-out snapshot of their son who was killed in the Indian Wars, and they go away; and after a long time here comes a slick-haired teenager who once took a few pix of his girlfriend holding a balloon at the zoo in front of the monkey cage on a dirty overcast day, and the clerk can tell just by looking at this customer that they won’t come out, because the guy’s a loser if the clerk knows anything at all about losers and in fact he knows a hell of a lot about losers because why else would he be stuck with this job?

For propaganda, of course. It’s all in your own book. How can we persuade others to be good, without evil we can point to?

Do you want to know what happiness is? Happiness is the absence of unpleasant information.