Charles Wright Quotes

The life of this world is wind
Windblown we come, and windblown we go away.
All that we look on is windfall.
All we remember is wind.

Out of any two thoughts I have, one is devoted to death.

Language is the element of definition, the defining and descriptive incantation. It puts the coin between our teeth. It whistles the boat up. It shows us the city of light across the water. Without language there is no poetry, without poetry there’s just talk. Talk is cheap and proves nothing. Poetry is dear and difficult to come by. But it poles us across the river and puts a music in our ears. It moves us to contemplation. And what we contemplate, what we sing our hymns to and offer our prayers to, is what will reincarnate us in the natural world, and what will be our one hope for salvation in the What’sToCome.

How many years have slipped through our hands? At least as many as the constellations we still can identify. The quarter moon, like a light skiff, floats out of the mist-remnants Of last night’s hard rain. It, too, will slip through our fingers with no ripple, without us in it.

I used to think the power of words was inexhaustible,
That how we said the world was how it was, and how it would be,
I used to imagine that word-sway and word thunder
Would silence the Silence and all that,
That words were the Word,
That language could lead us inexplicably to grace,
As though it were geographical.
I used to think these things when I was young.
I still do.

If you don’t shine you are darkness.

from “Tomorrow

"Sitting at Night on the Front Porch"

I’m here, on the dark porch, restyled in my mother’s chair.
10:45 and no moon.
Below the house, car lights
Swing down, on the canyon floor, to the sea.

In this they resemble us,
Dropping like match flames through the great void
Under our feet.
In this they resemble her, burning and disappearing.

Everyone’s gone
And I’m here, sizing the dark, saving my mother’s seat.

That I isn't I anymore. It's someone else, the character who plays me, someone who's a better actor than I could ever be. I'm just the writer. Someone else is starring in my part. I remember him just well enough to try to write about him. A case of the negative sublime. I guess art's always after the fact. The real is imaginary, or imagined. Reconstitution, reconstruction, representation is all we're left with. Autobiography becomes biography in the end.

At dawn, in the great meadow, a solitude
As easy as white paint comes down from the mountains
To daydream, bending the grass.

I take my body, familiar bundle of sorrows, to be
Touched by its hem, and smoothed over . . .

There's only one secret in life that's worth knowing,
And you found it.

I'll find it too.

Toadstools

The toadstools are starting to come
up,
circular and dry.
Nothing will touch them,
Gophers or chipmunks, wasps or swallows.
They glow in the twilight like rooted will-o’-the-wisps.
Nothing will touch them.
As though little roundabouts from the bunched unburiable,
Powers, dominions,
As though orphans rode herd in the short grass,
as though they had heard the call,
They will always be with us,
transcenders of the world.
Someone will try to stick his beak into their otherworldly styrofoam.
Someone may try to taste a taste of forever.
For some it’s a refuge, for some a shady place to fall down.
Grief is a floating barge-boat,
who knows where it’s going to moor?

A moment that should have lasted forever and forever
Long over — it came and went before I knew it existed.
I think I know what it means,
But every time I start to explain it, I forget the words.

I write your name for the last time in this mist,
White breath on the windowpane,
And watch it vanish. No, it stays there.

The music of memory has its own pitch,/which not everyone hears.

I’m starting to feel like an old man
alone in a small boat
In a snowfall of blossoms,
Only the south wind for company,
Drifting downriver, the beautiful costumes of spring
Approaching me down the runway
of all I’ve ever wished for.

Voices from long ago floating across the water.
How to account for
my single obsession about the past?
How to account for
these blossoms as white as an autumn frost?
Dust of the future baptizing our faithless foreheads.
Alone in a small boat, released in a snowfall of blossoms.

Lo que queda es con lo que empiezas.