Narrow road, wide road, all of us on it, unhappy,
Unsettled, seven yards short of immortality
And a yard short of not long to live.
Better to sit down in the tall grass
and watch the clouds,
To lift our faces up to the sky,
Considering — for most of us — our lives have been a constant mistake.

PREMIUM FEATURE
Advanced Search Filters

Filter search results by source, date, and more with our premium search tools.

Lonesomeness. Morandi, Cezanne, it's all about lonesomeness.
And Rothko. Especially Rothko.

What we are given in dreams we write as blue paint,
Or messages to the clouds.
At evening we wait for the rain to fall and the sky to clear.
Our words are words for the clay, uttered in undertones,
Our gestures salve for the wind.

We sit out on the earth and stretch our limbs,
Hoarding the little mounds of sorrow laid up in our hearts. — Charles Wright, closing lines to “Homage to Paul Cézanne,” The Southern Cross: Poems (Random House, 1981)

I’m starting to feel like an old man
alone in a small boat
In a snowfall of blossoms,
Only the south wind for company,
Drifting downriver, the beautiful costumes of spring
Approaching me down the runway
of all I’ve ever wished for.

Voices from long ago floating across the water.
How to account for
my single obsession about the past?
How to account for
these blossoms as white as an autumn frost?
Dust of the future baptizing our faithless foreheads.
Alone in a small boat, released in a snowfall of blossoms.

A cicada whines,
his voice
Starting to drown through the rainy world,
No ripple of wind,
no sound but his song of black wings,
No song but the song of his black wings.

Such emptiness at the heart,
such emptiness at the heart of being,

Share Your Favorite Quotes

Know a quote that's missing? Help grow our collection.

"Ars Poetica II"

I find, after all these years, I am a believer — I believe what the thunder and lightning have to say;
I believe that dreams are real,
and that death has two reprisals;
I believe that dead leaves and black water fill my heart.

I shall die like a cloud, beautiful, white, full of nothingness.

The night sky is an ideogram,
a code card punched with holes.
It thinks it’s the word of what’s-to-come.
It thinks this, but it’s only The Library of Last Resort,
The reflected light of The Great Misunderstanding.

God is the fire my feet are held to.

Snub end of a dismal year,
deep in the dwarf orchard,
The sky with its undercoat of blackwash and point stars,
I stand in the dark and answer to
My life, this shirt I want to take off,
which is on fire . . .

How many times can summer turn to fall in one life?

Toadstools

The toadstools are starting to come
up,
circular and dry.
Nothing will touch them,
Gophers or chipmunks, wasps or swallows.
They glow in the twilight like rooted will-o’-the-wisps.
Nothing will touch them.
As though little roundabouts from the bunched unburiable,
Powers, dominions,
As though orphans rode herd in the short grass,
as though they had heard the call,
They will always be with us,
transcenders of the world.
Someone will try to stick his beak into their otherworldly styrofoam.
Someone may try to taste a taste of forever.
For some it’s a refuge, for some a shady place to fall down.
Grief is a floating barge-boat,
who knows where it’s going to moor?

Unlimited Quote Collections

Organize your favorite quotes without limits. Create themed collections for every occasion with Premium.

Clear night, thumb-top of a moon, a back-lit sky.
Moon-fingers lay down their same routine
On the side deck and the threshold, the white keys and the black keys.
Bird hush and bird song. A cassia flower falls.

I want to be bruised by God.
I want to be strung up in a strong light and singled out.
I want to be stretched, like music wrung from a dropped seed.
I want to be entered and picked clean.

And the wind says “What?” to me.
And the castor beans, with their little earrings of death, say “What?” to me.
And the stars start out on their cold slide through the dark.
And the gears notch and the engines wheel.