We have an evolutionary revulsion from slime, the site of our biologic origins. Every month, it is woman's fate to face the abyss of time and being, … - Camille Paglia

After the Sixties there was a collapse in almost everything we believed in. It culminated in the biological disaster of AIDS — an answer to every one of us who preached free love. … AIDS is a price paid for sins committed in the Sixties, and by gay men who took free love to extremes throughout the Seventies and had unrestrained, decadent, pagan sex. I support paganism in all its forms, but a price must be paid. I believed in free love, too, but we were wrong. It wasn't the Pope who was the problem. It wasn't the struggle with old-fashioned moral codes that was the problem. It was nature. Nature said, "Guess what? If you're going to be that promiscuous, I will off you." … I believe that nature rewards things that are in its best interest and punishes things that are not.

The instant myth of Amy Fisher turned feminist dogma on on is head: as in the hit films Fatal Attraction, Basic Instinct, and The Hand That Rocks the Cradle, woman rules and destroys. The femme fatale is for real.

Emily Dickinson is the female Sade, and her poems are the prison dreams of a self-incarcerated, sadomasochistic imaginist. When she is rescued from American Studies departments and juxtaposed with Dante and Baudelaire, her barbarities and diabolical acts of will become glaringly apparent. Dickinson inherits through Blake the rape cycle of The Faerie Queene. Blake and Spenser are her allies in helping pagan Coleridge defeat Protestant Wordsworth.